[CONCEPTUAL ART ? CONCRETE POETRY ? FLUXUS] Convolute of typewritten and handwritten correspondence to the German sculptor, painter, and representative of constructive art, Günter Neusel (1930?2020).

Ulrichs, Timm.

About this Item

I) Three typewritten letters, each with a handwritten signature, one leaf with handwritten line. Hannover, 17.06 1965 as well as 07.06. and 15.06. 1966. DIN A4 (29.6 × 21 cm). ? II) Two handwritten postcards, one of which is inscribed on both sides. Hannover, around 1970. A6 ( 10.5 × 14.8 cm). ? III) Three envelopes (11.4 × 16 cm) with Ulrichs' stamps, one handwritten and two typed, containing exhibition invitations, one with handwritten greetings. ? III) A hectograph with a dedication to Neusel; a Pelikan paint box advertising board with an orange color area signed by the artist himself; and a handwritten invitation to an exhibition. Very good. Content-rich letters to the artist Günter Neusel, who belonged to the circle around Max Bense. Max Bense's influence on Ulrichs and Neusel is clear in the letters. The focus is on concrete poetry and art as well as the experimental use of new data processing techniques. Mention is made of exhibitions and publication channels to publicize this approach. Ulrichs complains, for example, that the small magazine "Nesyo" suddenly ceased to exist. At the time, the small journal project set out with the aim of bringing art and technology together; it published the first attempts to have poems written by a computer, so-called "stochastic texts". Ulrichs also mentions his collaboration with Bense and reports on his work with punched tape and discusses word games that he performs according to a certain calculation. Seller Inventory # 54185

Bibliographic Details

Title: [CONCEPTUAL ART ? CONCRETE POETRY ? FLUXUS] ...

Binding: Soft cover

Illustrator: Ulrichs

Signed: Signed by Author(s)