At age sixty-five, retired anthropologist Stella Brentwood buys a cottage in Somerset, England, and slowly acquires neighbors, a dog, and a professional curiosity about the country village where she intends to settle and put down roots for the first time. The drama of life in the West Country alternates with Stella's powerfully vivid memories of lovers, friends, and her anthropological sojourns in such exotic places as the Nile Valley in Egypt, the island of Malta, and among farmers in the Orkney Islands off the coast of Scotland. She has spent her life studying communities of people--their families, social structures, how they welcomed outsiders into their midst--remaining an observer, privileged to share in their intimate life but not obliged, and finally unwilling, to tie herself closely to any lover, friend or social group.
In Somerset, Stella once again finds an opportunity to become part of the web of relationships that make for human society. Her oldest friend's husband, now widowed, is interested in something more than friendship with her. Her neighbors turn out to be dangerously violent and unstable family, a threat to the entire community as well as Stella herself. An old friend, an archaeologist, poignantly seeks her out for companionship. How will independent-minded Stella, always reluctant to make an emotional commitment, respond?
Written in exquisitely nuanced prose, Spiderweb is a captivating and deeply moving novel, a brilliant vision of our modern experience.
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Now, however, Stella is ready for retirement. And once she takes the plunge, buying a cottage in rural Somerset, her detachment receives a few superficial dents. For one thing, her friendships--with a neighboring widower and a retired female archaeologist--come to at least a low boil (perhaps a mild simmer would be a better phrase). For another, the English countryside does exercise its intermittent charms: "A small ancient-looking chapel of perfect simplicity perched above a hedgebank that sparkled with flowers. Sometimes it was difficult to take this landscape seriously--to remember that it had evolved from centuries of agricultural endeavour and blithe environmental disregard." But by arresting her habit of perpetual motion, Stella also has time to review her past--both her professional excursions to Egypt and Malta and the Orkney Islands, and her accident-prone personal life.
There isn't, please note, a warm-and-fuzzy denouement, in which the protagonist learns to reach out and touch: she's English, for God's sake. Yet her story has the power to move us. For Stella is not only independent but self-aware, which can be a very mixed blessing. "I am no longer in business," she muses toward the end of Spiderweb. "I am a part of the landscape like everyone else. And some of us are more tenuously placed within that landscape than others." In the end, even this meticulous transient is headed in the same direction as her fellows. --Bob Brandeis
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