The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia.
Weaving together the story of an escaped slave in the pre–Civil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine.
Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best.
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Author One-on-One: Maria Semple and Tara Conklin
Maria Semple is the bestselling author of Where'd You Go, Bernadette.
Maria Semple: Tara, huge congratulations on The House Girl. How did this novel come into being?
Tara Conklin: Thanks, Maria. The novel began as a short story that I wrote about six years ago. I came across the term “slave doctor” in a book I was reading and the words made me stop. I became curious as to why a person dedicated to healing would take on such a role. From that initial spark of curiosity, I wrote a short story about a slave doctor, Caleb Harper, and two women appeared in his story. I say “appeared” because that’s really how it seemed to happen – Josephine and Dorothea just showed up and demanded my attention. I couldn’t stop wondering about these two characters and so I started writing separate stories about them, and I just kept writing.
MS: Josephine, a house slave in 1852 Virginia, became one of your narrators. The other, Lina, is a lawyer in present day New York. You practiced law before you became a novelist. Did Lina’s voice come easily by comparison?
TC: No, I actually found Lina’s sections tougher to get right. I think because Lina’s external world is more similar to mine, it was more difficult to imagine her – I kept bumping up against my own experience.
MS: That’s so surprising, that Josephine was the easier voice to get right.
TC: Josephine came to me very organically – I felt that I knew who she was and what she wanted early on in the writing. Her character was inspired by two people: one was an African-American artist named Mary Bell and the other was a former slave, Elizabeth Mumbet Freeman, who lived in my hometown during the 18th century. Mumbet said that if she could have one minute of freedom, only to die afterwards, she would make the trade. That strength of purpose helped me understand Josephine.
MS: While she's not a narrator, the character of Lu Anne Bell looms large over the story. She's quite mysterious and wonderful. I'm curious if she, too, is partly based on a real person.
TC: No, she is entirely fictional, but I’m glad that you thought otherwise! I wrote quite a bit of back story for Lu Anne that never made its way into the novel: her childhood in Mississippi, how she met Mister, why they fell in love. I see Lu Anne as an essentially tragic figure – I think she wants to break out of the world she’s been born into, but she can’t quite transcend it.
MS:You were born in St. Croix and grew up in Stockbridge, MA. Did growing up in these two vastly different environments influence you as a writer?
TC: Both places are steeped in history, so they’ve given me an appreciation for and curiosity about the past and how it helps shape the present. Both places also have substantial ties to slavery. I don’t remember much about St. Croix, but I grew up with my parents’ stories of the island’s racial tension, the horrible legacy of the sugar fields. When I was in elementary school in Stockbridge, I learned about the Underground Railroad and Mumbet (mentioned above), a slave who sued for her freedom in a Massachusetts court and won. These stories really stayed with me over the years.
MS: What are you reading now?
TC: I always have several novels on the go at once – right now I’m reading Zone One by Colson Whitehead, Wolf Hall by Hilary Mantel and I’m re-reading A Thousand Acres by Jane Smiley, one of my all-time favorites.
Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine. . . 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. 1852: Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm—an aspiring artist named Lu Anne Bell.
Through her artist father, Lina discovers that art historians now suspect that the revered paintings of Lu Anne Bell were actually the work of her house slave, Josephine. A descendant of Josephine's would be the perfect face for the lawsuit—if Lina can find one. In piecing together Josephine's story, Lina embarks on a journey that will lead her to question her own life. This searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice.
Performed by Bahni Turpin
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Book Description Compact Disc. Condition: new. Compact Disc. The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia.Weaving together the story of an escaped slave in the preCivil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine.Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best. A debut novel that intertwines the story of an escaped house slave in 1852 Virginia with that of an ambitious young lawyer in contemporary New York, and in so doing asks questions of justice, love, and family, in slave-holding Virginia and today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780062311931
Book Description Audio Book (CD). Condition: new. Seller Inventory # 9780062311931
Book Description Condition: New. Seller Inventory # V9780062311931
Book Description Condition: New. Seller Inventory # V9780062311931
Book Description Compact Disc. Condition: new. Compact Disc. Lina Sparrow, an ambitious first-year associate in a lucrative Manhattan law firm, is given a difficult, highly sensitive assignment that can make her career: find the perfect plaintiff to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves. An unexpected lead comes from her father, renowned artist Oscar Sparrow, who tells her about a controversy currently rocking the art world. Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of slaves from her plantation Bell Creek, were actually the work of her house slave, Josephine. A descendant of Josephines would be the perfect face for the firms lawsuit-if Lina can find one. But nothing is known about Josephines fate following Lu Anne Bells death in 1852. Did Josephine die at Bell Creek Was she sold Or did she escape Searching for clues in old letters and plantation records, Lina begins to piece together Josephines story-a journey that leads her to question her own life, including the full story of her mothers mysterious death twenty years before. Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and ask whether truth is sometimes more important than justice. A debut novel that intertwines the story of an escaped house slave in 1852 Virginia with that of an ambitious young lawyer in contemporary New York, and in so doing asks questions of justice, love, and family, in slave-holding Virginia and today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780062311931
Book Description Compact Disc. Condition: new. Compact Disc. The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia.Weaving together the story of an escaped slave in the preCivil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine.Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best. A debut novel that intertwines the story of an escaped house slave in 1852 Virginia with that of an ambitious young lawyer in contemporary New York, and in so doing asks questions of justice, love, and family, in slave-holding Virginia and today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780062311931
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.65. Seller Inventory # Q-006231193X