"synopsis" may belong to another edition of this title.
Author One-on-One: Maria Semple and Tara Conklin
Maria Semple is the bestselling author of Where'd You Go, Bernadette.
Maria Semple: Tara, huge congratulations on The House Girl. How did this novel come into being?
Tara Conklin: Thanks, Maria. The novel began as a short story that I wrote about six years ago. I came across the term “slave doctor” in a book I was reading and the words made me stop. I became curious as to why a person dedicated to healing would take on such a role. From that initial spark of curiosity, I wrote a short story about a slave doctor, Caleb Harper, and two women appeared in his story. I say “appeared” because that’s really how it seemed to happen – Josephine and Dorothea just showed up and demanded my attention. I couldn’t stop wondering about these two characters and so I started writing separate stories about them, and I just kept writing.
MS: Josephine, a house slave in 1852 Virginia, became one of your narrators. The other, Lina, is a lawyer in present day New York. You practiced law before you became a novelist. Did Lina’s voice come easily by comparison?
TC: No, I actually found Lina’s sections tougher to get right. I think because Lina’s external world is more similar to mine, it was more difficult to imagine her – I kept bumping up against my own experience.
MS: That’s so surprising, that Josephine was the easier voice to get right.
TC: Josephine came to me very organically – I felt that I knew who she was and what she wanted early on in the writing. Her character was inspired by two people: one was an African-American artist named Mary Bell and the other was a former slave, Elizabeth Mumbet Freeman, who lived in my hometown during the 18th century. Mumbet said that if she could have one minute of freedom, only to die afterwards, she would make the trade. That strength of purpose helped me understand Josephine.
MS: While she's not a narrator, the character of Lu Anne Bell looms large over the story. She's quite mysterious and wonderful. I'm curious if she, too, is partly based on a real person.
TC: No, she is entirely fictional, but I’m glad that you thought otherwise! I wrote quite a bit of back story for Lu Anne that never made its way into the novel: her childhood in Mississippi, how she met Mister, why they fell in love. I see Lu Anne as an essentially tragic figure – I think she wants to break out of the world she’s been born into, but she can’t quite transcend it.
MS:You were born in St. Croix and grew up in Stockbridge, MA. Did growing up in these two vastly different environments influence you as a writer?
TC: Both places are steeped in history, so they’ve given me an appreciation for and curiosity about the past and how it helps shape the present. Both places also have substantial ties to slavery. I don’t remember much about St. Croix, but I grew up with my parents’ stories of the island’s racial tension, the horrible legacy of the sugar fields. When I was in elementary school in Stockbridge, I learned about the Underground Railroad and Mumbet (mentioned above), a slave who sued for her freedom in a Massachusetts court and won. These stories really stayed with me over the years.
MS: What are you reading now?
TC: I always have several novels on the go at once – right now I’m reading Zone One by Colson Whitehead, Wolf Hall by Hilary Mantel and I’m re-reading A Thousand Acres by Jane Smiley, one of my all-time favorites.
Lina Sparrow is an ambitious young lawyer working on a historic class-action suit seeking reparations for the descendants of American slaves. Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm—an aspiring artist named Lu Anne Bell. Alternating between antebellum Virginia and modern-day New York, The House Girl is a searing tale of art, history, love, and secrets that intertwines the stories of two remarkable women.
"About this title" may belong to another edition of this title.
Shipping:
FREE
Within U.S.A.
Book Description Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # 2195930-6
Book Description Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # 2195930-6
Book Description paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Seller Inventory # S_369994573
Book Description Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00054743290
Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.65. Seller Inventory # G006231730XI3N00
Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.65. Seller Inventory # G006231730XI3N00
Book Description Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.65. Seller Inventory # G006231730XI4N00
Book Description Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.65. Seller Inventory # G006231730XI4N00
Book Description Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.65. Seller Inventory # G006231730XI5N00
Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.65. Seller Inventory # G006231730XI3N00