About the Author:
Gillian Beer is the King Edward VII Professor of English Literature Emerita at the University of Cambridge. Her books include Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction and Virginia Woolf: The Common Ground. Named Dame Commander of the Order of the British Empire in 1998, she has edited popular editions of Charles Darwin’s On the Origin of Species, Jane Austen’s Persuasion, and Lewis Carroll’s Jabberwocky and Other Nonsense: Collected Poems.
Review:
“An erudite, witty and intimate journey through Wonderland. . . . Reading Alice in Space is like participating in a marvellous dinner party conversation as the author moves freely and easily among the intricate interrelationships of Victorian culture.” (Times Higher Education)
“Combining literary criticism and intellectual history, Alice in Space is a rigorous and engaging guide to both the texts and the contemporary structures of thought that made them possible.” (Prospect)
"The project of resetting Carroll's fanciful dreamscapes into their historical moment has been done before. . . . Beer develops and extends such footnotes into critical prose that describes the intellectual and emotional contours of the Alice universe with enchanting, lapidary precision. She also draws on new archival material to reveal obscure but telling aspects of Carroll’s doubled identity as mathematician Charles Dodgson. The result is an enjoyable and compelling description of the Alice books' slant engagements with 1860s British culture. . . . Alice in Space is no critical breakthrough, but its principal aim is more modest: to enhance readers’ understanding and enjoyment of the Alice books. In this it succeeds superlatively, by revealing the historical milieu of the books’ carefree conceptual play." (Critical Inquiry)
"Beer’s work is a thoughtful approach to the world that shaped Charles Dodgson into Lewis Carroll. While not for everyone, Alice in Space is an appealing overabundance of unraveling literary subtext. Its title’s “space” refers to the physical and metaphysical spaces explored by Carroll and his contemporaries as they pushed the boundaries of thought by questioning the status quo. Revisiting Carroll’s work after reading Beer proves an eye-opening experience for the modern reader, now more equipped to grasp the subtleties of the Carroll’s wit and subversive reliance on the absurd and playful. By no means an easy read, Alice in Space nonetheless offers a great deal of insight for those willing to follow the author down, down, down..." (Spectrum Culture)
"In sum, though this text is sometimes complex, it provides intriguing insights by a veteran scholar and is a must for anyone interested in Carroll....Recommended." (Choice)
“This is not a book, then, that one approaches to find out the most likely real-life candidate for the Hatter. Instead, Beer points us to how Carroll draws ‘obliquely’ on contemporary culture, how everything he knew 'became untethered and confounded as they enter his dream worlds.' Explaining the joke notoriously strips it of its humor, but Beer up-ends that argument too: the Alice books have already anticipated the reader’s desire to ‘get’ what’s going on, and gleefully take apart that impulse.” (Open Letters Monthly)
“Gillian Beer’s much-anticipated Alice in Space: The Sideways Victorian World of Lewis Carroll has already been awarded a major literary prize (Truman Capote Award for Literary Criticism) and has received a series of glowing reviews. The well-earned praise recognizes Beer’s playful and, at times, brilliant analysis of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass. . . . Isis readers, particularly those with an interest in the Victorian period or in the relationship between science and literature more generally, will find much of value in this book. . .not only did Beer’s analysis make me want to go back to Carroll’s texts; more importantly, she made me want to go to the works that shed further light on what Carroll was doing—to the linguists, logicians, philosophers, men of science, and even dreaded mathematicians who helped create a space for Carroll’s imagination to run wild.” (Isis: A Journal of the History of Science Society)
“Just when we all thought we knew the Alice books, along comes Gillian Beer, who opens up not just new doors, but whole new corridors and gardens down in Carroll’s sideways world. Alice in Space is a joy: playful, brilliant, and wise.” (Rebecca Stott, author of Darwin’s Ghosts: In Search of the First Evolutionists)
“Offering sensitive and judicious insights into Lewis Carroll—the man, the mathematician, and the writer—Beer takes us on a vertiginous voyage through the wonderlands of his creation. She explores the scientific and ethical questions of his time and reveals how the comic—and dark—fantasy of the Alice books often conveys the subtlety of his dissenting views. Beer always writes with stylish, consummate eloquence. Alice in Space exemplifies how flights of passionate sympathy and imagination can also be acts of scrupulous inquiry and immaculate research.” (Marina Warner, author of Stranger Magic: Charmed States and the Arabian Nights)
“The title of this wonderful work—alert and witty in its attention to details, capacious and learned in its opening up of the realms of knowledge Carroll lived among and engaged with—evokes outer space and rightly so. Alice travels underground and through a mirror and beyond any earth we know. But she inhabits other zones, too. She lives in our minds. She reads the signs of a foreign world and is herself read by others. All of this comes richly alive for us in Beer’s writing. We are as close to ‘adamant eager Alice’ as we shall ever be.” (Michael Wood, author of Literature and the Taste of Knowledge)
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