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In certain ways Kunzru is almost too ambitious. There is so much crammed onto the pages of The Impressionist that some of it, almost inevitably, doesn't work as well as it might. However, as the shapeshifting Pran Nath moves from one identity to another, knockabout farce mixes with satire, social comedy with parody. And beneath the comic exuberance and linguistic invention, there is an intelligent and occasionally moving examination of notions of self, identity, and what it means to belong to a class or society. --Nick Rennison, Amazon.co.uk
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