Critics across the country hailed Elizabeth Graver's first novel, UNRAVELLING, as "exceptional" (The New York Times Book Review), a "pleasure" (The New Yorker), and "exquisitely poignant and sensual" (The Boston Globe). Now, Graver turns her talents to a contemporary novel about a woman and child who find that they cannot move ahead with the future until they can look clearly at the past.
The summer that eleven-year-old Eva is picked up on her fourth shoplifting charge, her mother, Miriam, decides that the only solution is to move from Manhattan to a quiet town in upstate New York. There, she tells Eva, they can have a "normal" life. But what Miriam doesn't tell her daughter, or anyone else, is that Eva's stealing scares her for a different reason, one related to a past she has been trying to ignore.
As tensions mount between mother and daughter, it is, oddly enough, Eva's secret frienship with Burl - a reclusive beekeeper who lives down the road - that ultimately helps the two find their way back to each other.
THE HONEY THIEF is a haunting, lyrical novel about the shadow the past casts on the present, the workings of memory and desire, and the healing powers of unexpected friendship.
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For a while he had sat around cooking up grand plans--a cooperative farm, sustainable agriculture, or a commercial beekeeping operation, maybe even migratory hives that he'd load into a semitruck and drive across the country, following the bloom. Or an ostrich farm. He liked how odd they looked, somewhere between bird and beast, and they were supposed to be the new, low-fat red meat. Sometimes when he let his thoughts wander far enough, he'd had a farming and business partner who was also a mate.Unfortunately, the woman of his choice has married someone else, he's let the farm go to seed, and now he makes a living writing how-to books and tending his hives as a hobby only. When young Eva comes into his life and begins helping with the bees, however, he is drawn reluctantly into her life and that of her mother.
Elizabeth Graver throws these three isolated people together and then wisely steps out of the way to let them work on each other. As the story moves forward, she allows her characters to look back, gradually weaving in memories that explain Burl's choices and Miriam's fears. Best of all, she avoids the obvious resolutions; instead, The Honey Thief plays out much as life does--messy, painful at times, with no guarantees but plenty of reason to hope. --Alix Wilber
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