About the Author:
Karal Ann Marling is Professor of Art History at the University of Minnesota.
Review:
“This book is a thoroughly engaging and eye-opening tale of how a religious celebration came to be secularized and, more important, nationalized in the United States. Discerning in her choice of examples, gymnastic in her leaps from subject to subject, Marling here demonstrates again her fine interdisciplinary skills. Moreover, she does so in a style mercifully free of cant and academic jargon. Marling has filled the Christmas stocking with a winning combination of detail and interpretation, and has made the season merrier for it.”―Charles C. Eldredge, author of Georgia O'Keeffe and former director of the National Museum of American Art, Smithsonian Institution
“Karal Ann Marling's books are growing into a formidable history of American everyday life and culture. In Merry Christmas! she delves into the history and social significance of Christmas trappings, such as Christmas decorations, Christmas dinner, Christmas presents, and Christmas trees, which most people take for granted, assuming, perhaps, that such apparently timeless things have 'no history.' Marling is at her best when discussing post-Second World War Christmas celebrations: the relatively recent contributions of 'Christmasy' things like Bing Crosby's 'White Christmas,' Elvis Presley's 'Blue Christmas,' and the ubiquitous Christmas TV specials, reminding us that Christmas is a living, evolving celebration, which did not stop with Charles Dickens' 'A Christmas Carol.'”―Derham Groves, University of Melbourne, author of Mail Art
“What makes this book valuable for historians, whether or not they have a special interest in Christmas, is that the analysis of Christmas is unfailingly put into the broad context of social mores that have defined American popular life, most notably the roles of women and children--topics either neglected in historical analysis or segregated from traditional history. Christmas is the biggest of American holidays; and, therefore, to understand its meaning is to understand significant aspects of America's character at home as well as in the marketplace. Marling's analysis of material things is particularly strong because it focuses so rigorously on connotation and significance, thus making the point that material culture is a reflection of prevailing political, social, and spiritual values.”―Michael Stern, coauthor of Roadfood, Goodfood and Elvis World
“Like an agreeably stuffed literary Christmas stocking, Marling's entertaining history of how Christmas became America's top holiday is generously filled with interesting facts, anecdotes, and period illustrations...Lively and informative...[Marling] describes how Santa became a national icon; the changing attitudes toward giving to the poor; the origin and growth of Christmas cards; and the impact of popular Christmas songs, movies, and television broadcasts...A special holiday treat to be savored while nibbling Christmas cookies and admiring the well-dressed tree.”―Kirkus Reviews
“Imaginatively researched and strewn with surprising details, this engaging cultural history traces the rise of the consumerism that has become as integral to the celebration of Christmas in the United States as tinsel is to tree trimming...With a keen eye for cultural diversity...and a ready sense of irony, she pierces the sentimental myths surrounding this cultural institution.”―Publishers Weekly
“Marling...[is] a keen-eyed critic of American popular culture...Merry Christmas! is an inspired idea of the sort that academics seldom have: consider the obvious, because no one else has, and treat it with respect. Marling's chapter topics read like a classic 'What to Do for Christmas' list--the tree, Santa, wrapping paper, shopping, cards and gifts, cookies and decorations. She also throws in movies, music and advertising. Showing the zeal of an archaeologist, Marling has dug through magazines and newspapers, photograph files, shoeboxes full of old cards, records of department-store windows and parades, and every possible kind of ephemera. The result is a collection of unrecorded histories, the visual and material culture of the American Christmas holiday...Combining imagination with solid historical grounding, Marling's analysis is both erudite and delightful...For all her scholarship and research, Marling is still tuned directly into [our] primary needs to right the wrongs of Christmas Past. She understands our national effort to keep trying to get it right next time...Reading her intelligent and entertaining book just might be a way to get through that familiar mixture of joy and dread that hits...when the Santas and the holly berries first appear in our land.”―Jeanine Basinger, New York Times Book Review
“Marling sets out to define the ways in which we have turned to things to define Christmas. It is not, thank God, an anti-materialist rant...Marling's book is a celebration of plenty, which needn't mean self-satisfied or vulgar. She's an authentic American author--one who loves stuff and puts it lovingly in its place.”―Charles Taylor, Newsday
“Like a parent faced with a holiday toy in 100 pieces and a sheet of instructions in faulty English, Karal Ann Marling, in Merry Christmas! Celebrating America's Greatest Holiday, has deconstructed the holiday and reassembled it in interesting and unexpected ways...[It] is a book full of surprises...By cleverly taking apart and analyzing our modern holiday customs, Marling tells us a lot about who we are.”―Jarrett Smith, Minneapolis Star Tribune
“This book may be the definitive study of secular Christmas traditions in the United States. Though she acknowledges the genuine glow of family and religion in Christian observances, Marling...makes it clear that her story centers on the materialism of Christmas.”―Norman Anderson, Christian Science Monitor
“Cultural historian Karal Ann Marling traces the history of our modern Christmas in the zestful, often endearingly gabby Merry Christmas! It is, like the holiday itself, a story of American families and business, stuffed like a red stocking with glittery details, vivid episodes, and eccentric side-trips.”―Scott Alarik, Boston Globe
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