Review:
The flaws are easily forgiven in this beautiful version of Louisa May Alcott's novel. A stirring look at life in New England during the Civil War, Little Women is a triumph for all involved. We follow one family as they split into the world, ending up with the most independent, the outspoken Jo (Winona Ryder). This time around, the dramatics and conclusions fall into place a little too well, instead of finding life's little accidents along the way. Everyone now looks a bit too cute and oh, so nice. As the matron, Marmee, Susan Sarandon kicks the film into a modern tone, creating a movie alive with a great feminine sprit. Kirsten Dunst (Interview with the Vampire) has another showy role. The young ensemble cast cannot be faulted, with Ryder beginning the movie in a role akin to light comedy and crescendoing to a triumphant end worthy of an Oscar. --Doug Thomas
Additional Features:
Based on the feature commentary for her film, Gillian Armstrong must be a pretty delightful person to spend an evening with. The Australian director takes us all the way through the lovely 1994 film, "whispering in our ear" with deft clarity. Armstrong engages us while talking about casting (much influenced by star Winona Ryder), locale (mostly Vancouver, B.C.), the modernization of the characters, and the task of bringing the intricate design of the 19th-century piece to life. Armstrong also narrates over two deleted scenes shown separately. She admits it's enjoyable to view the picture five years later because of Thomas Newman's Oscar-nominated score. (The score can also be heard an isolated music track.) There is also a general six-minute featurette (made by HBO) and a better eight-minute featurette on the film's costume design, narrated by Oscar nominee Colleen Atwood. Talent files, productions notes, an elementary timeline, and trivia games are also included. --Doug Thomas
"About this title" may belong to another edition of this title.