From the Back Cover:
As a master of realism, Jerome Witkin illustrates in his art the moral plight of everyday lives. His most complex and critically acclaimed works - intense, often disturbing scenes of the Holocaust - have earned him a growing international audience. Through the "virtues of descriptive vividness and accuracy", as Kenneth Baker writes in his Foreword, Sherry Chayat elucidates Witkin's success in almost single-handedly returning to the realm of painting those subjects that are powerfully universal as well as intensely personal. Witkin believes that this is his domain as a painter, as it was for artists like Goya and Eakins. Mortal Sin: In the Confession of J. Robert Oppenheimer; Death as an Usher: Berlin, 1933; Subway: A Marriage; The Screams of Kitty Genovese - Witkin's huge and often multipaneled canvases deal with human dilemmas and current societal issues, such as the homeless, AIDS, and drugs. His art demonstrates that we bear a moral responsibility for the pain suffered by others. "I'm not just a painter", Witkin states. "I'm a person looking at my century. We must get back to someplace where we can feel again, where we have value, a sense of the future".
About the Author:
Jerome Witkin is professor of fine arts at Syracuse University. His work is found in many of the permanent collections of major art museums worldwide, including the Metropolitan Museum of Art, the Hirshhorn, and the Uffizi. Sherry Chayat is an adjunct professor at University College, Syracuse University.
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