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To support Dillon's bold assertion, Don DeNevi has selected photographs of the bridges' construction in the mid-1930s taken by Moulin Studios (with help from Thomas Moulin, grandson of the studio's founder, Gabriel). It is these stunning images that make up the bulk of High Steel, chronicling the gradual process by which the naked landscape of the San Francisco Bay was transformed. From vast panoramas to close-up images of construction workers precariously balanced hundreds of feet above choppy waters, these photographs are almost as much of a marvel as the bridges themselves.
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