"synopsis" may belong to another edition of this title.
During the twenty-year course of this work, my life and my photography have evolved, or perhaps integrated, to focus on the dynamic balance between grace and power. For me personally, grace represents the strength and choice to listen to the unspoken, the inner guide within us all. Power is the strength and choice to live in accordance with that guidance. Balance is the integration of grace and power as one.
My photography and the related interactions with the people and things I photograph have been an integral part of the process of learning to live close to this dynamic balance between grace and power. From the beginning, long before I was consciously aware of this concept of balance, my images symbolically portrayed this integrative unity. It has taken me two decades to begin to understand rationally what I have known intuitively all along.
Hand on the Saddle, an early image which appears on the cover of this book, exemplifies this process. The image was made in 1981, during the first year of this project, as Gary Hebel mounted his horse. It happened in an instant. There is one frame. I knew it when I saw it. My subconscious could frame it as an image, though I could not articulate it with words.
When we look at Hand on the Saddle from a symbolic perspective, we already know that the cowboy icon represents a rugged integrity that suggests the heroic. The dark hat, tilted down, represents looking inward, or the inner self. The clinched fists represent external determination or power, and the horse represents movement or change. The symbolic interplay of the heroic with the inner self and external determination sets up a dynamic tension on an intuitive level corresponding to the tension of the visual elements in the image. Grace and power are one.
Twenty years later I am acutely aware that this same philosophy underlies virtually every image I take, though most often I do not think about putting it there. My conscious awareness has slowly evolved to understand that the balance of grace and power underlies this work and guides my life, my art, and my academic research and teaching.
To me, this suggests that, beyond its literal and representational meanings, personal imagery not only reflects the present inner state of the artist but also points toward the continued awareness and development of the intuitive self.
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