Heart of Darkness, is a novella by Polish-British novelist Joseph Conrad: Novellas, Africa, Fiction, Short stories - Softcover

9781536953695: Heart of Darkness, is a novella by Polish-British novelist Joseph Conrad: Novellas, Africa, Fiction, Short stories
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Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow.[Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilised people and those described as savages; Heart of Darkness raises important questions about imperialism and racism.Originally published as a three-part serial story in Blackwood's Magazine, Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century. **Plot summary** Aboard the Nellie, anchored in the River Thames near Gravesend, England, Charles Marlow tells his fellow sailors about the events that led to his appointment as captain of a river steamboat for an ivory trading company. As a child, Marlow had been fascinated by "the blank spaces" on maps, particularly by the biggest, which by the time he had grown up was no longer blank but turned into "a place of darkness." Yet there remained a big river, "resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land." The image of this river on the map fascinated Marlow "as a snake would a bird". Feeling as though "instead of going to the centre of a continent I were about to set off for the centre of the earth", Marlow takes passage on a French steamer bound for the African coast and then into the interior. After more than thirty days the ship anchors off the seat of the government near the mouth of the big river. Marlow, still some two hundred miles to go, now takes passage on a little sea-going steamer captained by a Swede. He departs some thirty miles up the river where his Company's station is. Work on the railway is going on, involving removal of rocks with explosives. Marlow enters a narrow ravine to stroll in the shade under the trees, and finds himself in "the gloomy circle of some Inferno": the place is full of diseased Africans who worked on the railroad and now await their deaths, their sickened bodies already as thin as air. Marlow witnesses the scene "horror-struck". Marlow has to wait for ten days in the Company's Outer Station, where he sleeps in a hut. At this station, which strikes Marlow as a scene of devastation, he meets the Company's impeccably dressed chief accountant who tells him of a Mr. Kurtz, who is in charge of a very important trading-post, and a widely respected, first-class agent, a "'very remarkable person'" who "'Sends in as much ivory as all the others put together'". The agent predicts that Kurtz will go very far: "'He will be a somebody in the Administration before long. They, above--the Council in Europe, you know--mean him to be.'"..... Joseph Conrad (Polish pronunciation: born Jozef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language.He joined the British merchant marine in 1878, and was granted British nationality in 1886. Though he did not speak English fluently until he was in his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe....

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For generations an exclusively white community of literary critics treated a variety of thematic and stylistic issues (often with great subtlety and insight) while ignoring "Heart of Darkness" as a commentary on imperialism and racism. My edition does both.

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