The Green Eagle Score
With Mary Fusco, newly out of the penitentiary, and a smart alec finance clerk named Devers, Parker plans to steal the payroll for an entire U.S. Air Force base near the Canadian border. Parker knows the score is risky, but he sees a way the odds can be shortened. And like every heist that Parker plans, the job goes sweetly until one thing not even Parker could have foreseen turns the whole thing sour.
"synopsis" may belong to another edition of this title.
About the Author:
Richard Stark, aka Donald E. Westlake (1933–2008), wrote dozens of novels under his own name and a rainbow of other pseudonyms. Many of his books have been adapted for film, most notably The Hunter, which became the 1967 noir Point Blank, and the 1999 smash Payback.
Stephen R. Thorne is a member of the Resident Acting Company at Providence's Trinity Repertory Company, where his favorite productions include Hamlet, Henry V, and The Cider House Rules.
Review:
Stephen R. Thorne is a member of the Resident Acting Company at Providence's Trinity Repertory Company, where his favorite productions include Hamlet, Henry V, and The Cider House Rules.
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
(Stephen King Entertainment Weekly)
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times)
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
(Elmore Leonard)
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
(John Banville Bookforum)
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
(Marilyn Stasio New York Times Book Review)
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
(Washington Post)
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
(Los Angeles Times)
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
(Lawrence Block)
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”
(Anthony Boucher New York Times Book Review)
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
(Luc Sante New York Times Book Review)
(Stephen King Entertainment Weekly)
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times)
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
(Elmore Leonard)
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
(John Banville Bookforum)
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
(Marilyn Stasio New York Times Book Review)
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
(Washington Post)
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
(Los Angeles Times)
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
(Lawrence Block)
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”
(Anthony Boucher New York Times Book Review)
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
(Luc Sante New York Times Book Review)
"About this title" may belong to another edition of this title.
- PublisherAudiogo
- Publication date2011
- ISBN 10 1609981375
- ISBN 13 9781609981372
- BindingAudio CD
- Number of pages1
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The Green Eagle Score
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Book Description Audio Book on CD. Condition: New. Still in shrinkwrap. This audio book is brand new and comes sealed in original retail box. Never used or opened. ; Parker novel; 5.90 X 5.10 X 1.20 inches; 1 pages. Seller Inventory # 060615-161-214
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