“Surely one of the most ingenious love letters—full of violence, fear, humour, and cunning—ever addressed to a city.” —Geoff Dyer
This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry. Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope)."synopsis" may belong to another edition of this title.
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Book Description Condition: New. Seller Inventory # 5148324-n
Book Description Paperback. Condition: new. Paperback. In the wake of Apartheid, the flotsam and jetsam of the divided past flow over Johannesburg and settle, once the tides recede, all around Ivan Vladislavic, who, patrolling his patch, surveys the changed cityscape and tries to convey for us the nature and significance of those changes. He roams over the grassy mine-dumps, sifting memories, picking up the odd glittering item here and there, before everything of value gets razed or locked away behind one or other of the city's fortifications. For this is now a city of alarms, locks and security guards, a frontier place whose boundaries are perpetually contested, whose inhabitants are 'a tribe of turnkeys'. Vladislavic, this magpie of mementoes, stands still, watches, and writes: and his astonishing city comes within our reach. An insider capable of revealing his city's spirit and its reality, Ivan Vladisavic combines the eloquence of Jan Morris on Trieste with the precision of Henri Cartier-Bresson on Paris. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781846270604
Book Description Condition: New. Buy with confidence! Book is in new, never-used condition 0.49. Seller Inventory # bk184627060Xxvz189zvxnew
Book Description Condition: New. New! This book is in the same immaculate condition as when it was published 0.49. Seller Inventory # 353-184627060X-new
Book Description paperback. Condition: New. Language: ENG. Seller Inventory # 9781846270604
Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9781846270604
Book Description Paperback. Condition: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Seller Inventory # 9781846270604-GDR
Book Description Paperback. Condition: Brand New. 208 pages. 7.83x5.08x0.63 inches. In Stock. Seller Inventory # __184627060X
Book Description Condition: New. In. Seller Inventory # ria9781846270604_new
Book Description Condition: New. 2007. Main. Paperback. Suitable for those who want to put their faith in a writer who knows - and loves - his city from the inside out: Suketu Mehta's "Maximum City", Edmund White's "The Flaneur", Orhan Pamuk's "Istanbul", and Joseph Brodsky's "Watermark". Num Pages: 208 pages. BIC Classification: 1HFMS; WTM. Category: (G) General (US: Trade). Dimension: 197 x 130 x 18. Weight in Grams: 204. . . . . . Seller Inventory # V9781846270604