About the Author:
Edith Pearlman, born in 1936, published her debut collection of stories in 1996, at age 60. Last year, she won The National Book Critics Circle Award for Fiction for Binocular Vision. She has published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work has won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which puts her in the ranks of John Updike, Joyce Carol Oates, and other luminaries.
From Booklist:
*Starred Review* There is a vast difference between reading Pearlman’s stories in a magazine or anthology and reading this collection. In settings ranging from unnamed South American countries to the Boston suburbs, from the current day to the last century (e.g., the Russian Revolution, WWII), depictions of people, places, and manners are so perfect that the stories become totally immersive. The characters, always interesting, are limned just as strongly whether female or male, young or old. The Latin American minister of health (called the Cow by her enemies) in “Vaquita” and the old man studying Japanese at age 75 in “Relic and Type” both linger in memory long after the book is closed. Stylistically, the stories are complex in their use of language, with technique incorporated seamlessly to engage and provoke readers. Many describe the lives of Jews who have integrated into the modern world and who examine the resonance of Judaism in their lives. The stories’ disparate lengths are no impediment to these qualities. The shorter “The Story” is just as involving as the longer “Binocular Vision.” Give this wonderful collection to fans of such classic short story writers as Andre Dubus and Alice Munro and novelists like Nicole Krauss. They will thank you. --Ellen Loughran
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