German Art in São Paulo: German Art at the Biennial 1951-2012 - Hardcover
Germany has supported the São Paulo Biennial since the global art exhibition’s foundation in 1951. This richly illustrated volume documents all of the German contributions to all 30 biennials, and examines them in the context of postwar history and cultural politics.
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- PublisherHatje Cantz
- Publication date2014
- ISBN 10 3775736948
- ISBN 13 9783775736947
- BindingHardcover
- Number of pages336
- EditorGroos Ulrike, Preuss Sebastian
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German art in Sao Paulo : German art at the Biennial 1951 - 2012 ; [a publication of Ifa (Institut für Auslandsbeziehungen)]. Institut für Auslandsbeziehungen. Ulrike Groos ; Sebastian Preuss, eds. With contributions by Ulrike Groos . [Transl.: Andrea Scrima ; Maria Morais]
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Ostfildern, Germany : Hatje Cantz,
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Book Description Gebundene Ausgabe. Condition: Neu. en, 1. Aufl. 335 S. : zahlr. Ill. ; 28 cm NEUBUCH ! 9783775736947 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 1687. Seller Inventory # 4308
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German Art in Sao Paulo (Hardcover)
Published by
Hatje Cantz Verlag, Ostfildern
(2013)
ISBN 10: 3775736948
ISBN 13: 9783775736947
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Hardcover
Quantity: 1
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Book Description Hardcover. Condition: new. Hardcover. In 1951 the Italian-Brazilian industrialist Ciccillo Matarazzo founded the Sao Paulo Biennial, the second-oldest art show of its kind. From the start, it was said that the show's role model was the mother of all biennials in Venice. As is the case there, the participating countries choose artists to represent them and send them to Brazil at the countries' expense. The young Federal Republic of Germany always attributed great importance to the global art exhibition in far-away Sao Paulo. The German Democratic Republic was also represented from 1977 onward, although with far more modest presentations.This richly illustrated book is the first to document all of the German contributions to the thirty biennials that have taken place up to now, and examines them in the context of post-war history and cultural politics. Studies of archives in Sao Paulo, Berlin, and Stuttgart exhumed a cornucopia of previously unpublished documents and photographs. A number of essays describe the founding and the history of the biennial, which is closely associated with the fate of Brazilian Modernism. Germany has supported the Sao Paulo Biennial since the global art exhibition's foundation in 1951. This richly illustrated volume documents all of the German contributions to all 30 biennials, and examines them in the context of postwar history and cultural politics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783775736947
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German Art in Sao Paulo (Hardcover)
Published by
Hatje Cantz Verlag, Ostfildern
(2013)
ISBN 10: 3775736948
ISBN 13: 9783775736947
New
Hardcover
Quantity: 1
Seller:
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Book Description Hardcover. Condition: new. Hardcover. In 1951 the Italian-Brazilian industrialist Ciccillo Matarazzo founded the Sao Paulo Biennial, the second-oldest art show of its kind. From the start, it was said that the show's role model was the mother of all biennials in Venice. As is the case there, the participating countries choose artists to represent them and send them to Brazil at the countries' expense. The young Federal Republic of Germany always attributed great importance to the global art exhibition in far-away Sao Paulo. The German Democratic Republic was also represented from 1977 onward, although with far more modest presentations.This richly illustrated book is the first to document all of the German contributions to the thirty biennials that have taken place up to now, and examines them in the context of post-war history and cultural politics. Studies of archives in Sao Paulo, Berlin, and Stuttgart exhumed a cornucopia of previously unpublished documents and photographs. A number of essays describe the founding and the history of the biennial, which is closely associated with the fate of Brazilian Modernism. Germany has supported the Sao Paulo Biennial since the global art exhibition's foundation in 1951. This richly illustrated volume documents all of the German contributions to all 30 biennials, and examines them in the context of postwar history and cultural politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783775736947
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