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Published by Harpercollins September 2002, 2002
ISBN 10: 0380977761ISBN 13: 9780380977765
Seller: Isle of Books, Bozeman, MT, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.
Published by Harpercollins September 2002, 2002
ISBN 10: 0060006250ISBN 13: 9780060006259
Seller: Firefly Bookstore, Kutztown, PA, U.S.A.
Book
Mass Market Paperback. Condition: Used Very Good. Front and back covers have very slight edge and corner wear. Spine intact with no creasing or warping. Binding is tight and intact, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.
Published by Harpercollins Childrens Books September 2002, 2002
ISBN 10: 0064407888ISBN 13: 9780064407885
Seller: Dunaway Books, St. Louis, MO, U.S.A.
Book
Paper Back. Condition: Good.
Published by Harpercollins September 2002, 2002
ISBN 10: 0060007737ISBN 13: 9780060007737
Seller: The Book Garden, Bountiful, UT, U.S.A.
Book
Trade Paperback. Condition: Very Good - Cash. Minor rubbing and edge wear to cover, with light reader wear to pages. Still great condition. Stock photos may not look exactly like the book.
Published by HarperCollins September 2002, 2002
ISBN 10: 0060196335ISBN 13: 9780060196332
Seller: Dunaway Books, St. Louis, MO, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Appears as unread and in like new condition save mild bottom edgewear.
Published by HarperCollins Leadership September 2002, 2002
ISBN 10: 0785264191ISBN 13: 9780785264194
Seller: R Bookmark, Youngtown, AZ, U.S.A.
Book
Hardcover. Condition: Used - Good.
Published by Harpercollins Pub Ltd September 2002, 2002
ISBN 10: 0007139969ISBN 13: 9780007139965
Seller: Magus Books Seattle, Seattle, WA, U.S.A.
Book
Trade Paperback. Condition: VG. used mass market paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.
Published by Harpercollins September 2002, 2002
ISBN 10: 0060955864ISBN 13: 9780060955861
Seller: Isle of Books, Bozeman, MT, U.S.A.
Book
Trade. Condition: Very Good.
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Published by Harpercollins September 2002, 2002
ISBN 10: 0060516402ISBN 13: 9780060516406
Seller: Isle of Books, Bozeman, MT, U.S.A.
Book
Paper Back. Condition: Very Good.
Published by HarperCollins September 2002, 2002
ISBN 10: 0060292458ISBN 13: 9780060292454
Seller: Firefly Bookstore, Kutztown, PA, U.S.A.
Book
Hardcover. Condition: New. Gurney, John Steven (illustrator). Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.
Published by Harpercollins September 2002, 2002
ISBN 10: 0060505931ISBN 13: 9780060505936
Seller: Bartleby's Books, Wilmington, VT, U.S.A.
Book
Trade Paperback. Condition: New.
Published by HarperCollins Publishers Ltd September 2, 2002, 2002
ISBN 10: 0007106157ISBN 13: 9780007106158
Seller: Dial-A-Book, NARRABEEN, NSW, Australia
Book
8vo softcover 394pp very good. A narrative history of how Leonardo da Vinci's painting of the Mona Lisa came to be the most famous in the world -- and one of the most powerful cultural icons of our time. What has made the Mona Lisa the most famous picture in the world? Why is it that, of all the 6,000 paintings in the Louvre, it is the only one to be exhibited in a special box, set in concrete and protected by two sheets of bulletproof glass? Why do thousands of visitors throng to see it every day, ignoring the masterpieces which surround it? For nearly 500 years the painting -- and the mysterious smile on the face of the sitter -- has been a source of mystery, speculation and reverence. In this groundbreaking new book Donald Sassoon describes not only the Mona Lisa and its history, but its mythology, and the processes which combined to raise it to its current unrivalled level of fame. He examines Leonardo's innovative techniques; the problems concerning the identity of the sitter; what happened to the painting after it left Italy when Leonardo joined King Francois I's court in France; the copies made in the 17th century; its celebration by 19th-century intellectuals; its theft and disappearance early in the 20th century; the surrealists', other avant-garde artists' and cartoonists' uses of it; its appropriation by the advertising industry; and the never-ending flood of new and 'conclusive' theories about Mona Lisa's smile.