Whose Master's Voice?: The Development of Popular Music in Thirteen Cultures (Contributions to the Study of Music and Dance) - Hardcover

9780313277726: Whose Master's Voice?: The Development of Popular Music in Thirteen Cultures (Contributions to the Study of Music and Dance)
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What are the interactions between transnational communication and national cultures? This work attempts to answer this critical question in the study of culture and communication. It takes as its vehicle of study the music industry and music making in 13 different cultures, presenting an insider's view of a global cultural experience. Of interest to musicologists and sociologists alike, plus anyone fascinated by distant cultures and how they are affected by external as well as internal communication systems.

The chapters are a collection of research findings produced for the International Communications and Youth Cultures Consortium (ICYC), an informal group of international scholars in many disciplines who are committed to understanding the economic and social factors that influence cultures and youth. Their point of view in this work is their individual country and the tensions that arise from the development of international communication systems. Each view is from inside the country; external influences are not subjects of study in themselves but are viewed as part of a complex scene along with other variables operating in various national situations.

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Book Description:

In-depth analyses of the meaning of popular music in 13 different cultural contexts around the world, discussing the impact of transnational music on national cultures.

About the Author:

ALISON J. EWBANK is a freelance writer in England, having spent many years at the Institute for Mass Communications Studies at Leeds University. Her research there included studying the political aspects of mass media. She is co-author of Social Conflict and Television News and Music at the Margins (1991).

FOULI T. PAPAGEORGIOU is Director of the Centre for Development Studies Planning and Research in Athens, Greece. She has extensive research experience on issues related to policymaking in the areas of leisure and recreation. She is co-author of Music at the Margins (1991).

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  • PublisherPraeger
  • Publication date1997
  • ISBN 10 0313277729
  • ISBN 13 9780313277726
  • BindingHardcover
  • Number of pages272
  • EditorPapageorgiou Fouli T.

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Book Description Hardcover. Condition: new. Hardcover. What are the interactions between transnational communication and national cultures? This work attempts to answer this critical question in the study of culture and communication. It takes as its vehicle of study the music industry and music making in 13 different cultures, presenting an insider's view of a global cultural experience. Of interest to musicologists and sociologists alike, plus anyone fascinated by distant cultures and how they are affected by external as well as internal communication systems. The chapters are a collection of research findings produced for the International Communications and Youth Cultures Consortuim (ICYC), an informal group of international scholars in many discisplines who are committed to understanding the economic and social factors that influence cultures and youth. Their point of view in this work is their individual country and the tensions that arise from the development of international communication systems. Each view is from inside the country; external influences are not subjects of study in themselves but are viewed as part of a complex scene along with other variables operating in various national situations. Presenting an insiders view of the music industry and music making in 13 countries, this work looks at the interactions between transnational communication and national cultures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780313277726

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