From Publishers Weekly:
Maverick Texas artist Bob Wade has produced a giant sculpture of an iguana, to stand atop the old Lone Star Cafe in New York City; motorized frogs dancing the tango in Dallas; and a Mardi Gras mobile decorated with toy guns (the "Bonnie & Clyde Mobile"). In room-sized installations, velvet paintings of nudes and bullfighters, a football field-sized map of the U.S., a trailer museum stuffed with Texas lore, colorful soft sculptures and experimental photographs and paintings, Wade deflates icons of pop culture and challenges conventional ways of seeing and being. In this irreverent autobiography, a curious mix of bravado and deadpan irony, Wade (writing with Gavin Report reporters Keith and Kent Zimmerman) tells of his El Paso roots, the Berkeley art scene of the mid-1960s, his college teaching career (1966-1977) and his leap into independence. Wade, now a resident of Santa Fe, also recalls his three visits-one at the age of six-with his second cousin, cowboy Roy Rogers. Illustrations.
Copyright 1995 Reed Business Information, Inc.
From Booklist:
It's hard to dislike a person known professionally for more than 30 years as Daddy-0, impossible if said person is also the purveyor of such sublime artworks as a 40-foot-tall iguana, a giant large-mouth bass that blows smoke, and the Day-Glo "Our Lady of Guadelupe." That person is Bob "Daddy-O" Wade--beer drinker, raconteur, and Texan extraordinaire. For those familiar with Wade's work, no further introduction or evaluation is necessary; they'll have to read this book. Those unversed in the wacky world of Wade, however, can start to get a handle on him by thinking of Roy Rogers on acid (not that Wade would: Uncle Roy is one of his icons). Wade's story affords a look at the artist as wild man and is a wonderful contribution to our understanding of the "other" Texas of Kinky Friedman, Linda Ellerbee, Janis Joplin, and the Armadillo World Headquarters. Mike Tribby
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