Elliott Carter Studies (Cambridge Composer Studies) - Hardcover
Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries - from his early neo-classic music of the interwar period, to his modernist works of conflict and opposition in the 1960s and 1970s, to the reshaping of a modernist aesthetic in his latest compositions. Elliott Carter Studies throws new light on these many facets of Carter's extensive musical oeuvre. This collection of essays presents historic, philosophic, philological and theoretical points of departure for in-depth investigations of individual compositions, stylistic periods in Carter's output and his contributions to a variety of genres, including vocal music, the string quartet and the concerto. The first multi-authored book to appear on Carter's music, it brings together new research from a distinguished team of leading international Carter scholars, providing the reader with a wide range of perspectives on an extraordinary musical life.
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Book Description:
Elliott Carter's extraordinarily long musical career has engaged with many musical developments of the twentieth century. This collection of essays presents a diverse set of viewpoints on Carter's music, from the neo-classicism of the interwar period, through post-war modernism, to the reshaping of a modernist aesthetic in his late style.
About the Author:
Marguerite Boland is a researcher in the College of Arts and Social Sciences at the Australian National University, Canberra. Her scholarly interest is twentieth-century modernist music and aesthetics, particularly the music of Elliott Carter and of Johanna Beyer.
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- PublisherCambridge University Press
- Publication date2012
- ISBN 10 0521113628
- ISBN 13 9780521113625
- BindingHardcover
- Number of pages364
- EditorBoland Marguerite, Link John
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