Reexamining the roles played by author, reader, scribe, and text in medieval literary practice, John Dagenais argues that the entire physical manuscript must be the basis of any discussion of how meaning was made. Medievalists, he maintains, have relied too heavily on critical editions that seek to create a single, definitive text reflecting an author's intentions. In reality, manuscripts bear not only authorial texts but also a variety of elements added by scribes and readers: glosses, marginal notes, pointing hands, illuminations, and fragments of other, seemingly unrelated works. Using the surviving manuscripts of the fourteenth-century Libro de buen amor, a work that has been read both as didactic treatise on spiritual love and as a celebration of sensual pleasures, Dagenais shows how consideration of the physical manuscripts and their cultural context can shed new light on interpretive issues that have puzzled modern readers.
Dagenais also addresses the theory and practice of reading in the Middle Ages, showing that for medieval readers the text on the manuscript leaf, including the text of the Libro, was primarily rhetorical and ethical in nature. It spoke to them directly, individually, always in the present moment. Exploring the margins of the manuscripts of the Libro and of other Iberian works, Dagenais reveals how medieval readers continually reshaped their texts, both physically and ethically as they read, and argues that the context of medieval manuscript culture forces us to reconsider such comfortable received notions as "text" and "literature" and the theories we have based upon them.
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"A superb work that should revolutionize medieval Spanish studies in general and understanding of theLibro de buen amor in particular. Further, John Dagenais's remarks on the process of editing a medieval text is, are going to occasion very serious reflection on both subjects."--James F. Burke, University of Toronto
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Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. 8vo in cloth with dust jacket. 278 pp. VG/G. Dust jacket spine sunned. Minimal wear to book. Light foxing to fore edge. Interior is pristine. No writing or markings of any kind. Review slip laid in. Ships wrapped in bubble wrap and packed securely in a box. Seller Inventory # 122221-19
Book Description Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.45. Seller Inventory # G0691032467I4N00
Book Description Glossing the 'Libro de buen amor'. A re-examination of the roles played by authors, readers, scribes and texts in medieval literature, which describes how consideration of marks on the physical manuscript - elements added by scribes and readers - can shed light on interpretive issues that have puzzled modern readers. XXIII,278 Seiten, gebunden (Princeton University Press 1994) textsauberes Exemplar mit leichten Gebrauchsspuren/clean text pages, minor traces of use 626 g. Sprache: en. Seller Inventory # 101475