Vladimir Jankélévitch left behind a remarkable œuvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense.
Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
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"Imagine! A philosopher who meditates on listening to music, not its ontology; who does not cast composers as heroes and villains; who does not expect music to prophesy the future, or tell us how to live, or solve our political problems; who is allergic to gassy Teutonic grandiloquence (indeed, to Germans tout court). Welcome the anti-Adorno; he has been too long coming to English. And thank Carolyn Abbate for bringing him to us in such excellent shape."--Richard Taruskin, Class of 1955 Professor of Music, University of California, Berkeley
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Book Description Condition: New. Seller Inventory # 1038868-n
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WP-9780691090474
Book Description Condition: New. 2003. Hardcover. Deals with classical issues in the philosophy of music, including metaphysics and ontology. This book argues that music is not a hieroglyph, nor a language or sign system. It argues that music is 'ineffable', because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Translator(s): Abbate, Carolyn. Num Pages: 200 pages, 7 musical examples. BIC Classification: AVA; HPQ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 225 x 146 x 17. Weight in Grams: 352. . . . . . Seller Inventory # V9780691090474
Book Description hardback. Condition: New. Language: ENG. Seller Inventory # 9780691090474
Book Description Hardcover. Condition: new. Seller Inventory # 9780691090474
Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Deals with classical issues in the philosophy of music, including metaphysics and ontology. This book argues that music is not a hieroglyph, nor a language or sign system. It argues that music is 'ineffable', because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Seller Inventory # B9780691090474
Book Description Condition: New. Book is in NEW condition. Seller Inventory # 0691090475-2-1
Book Description Condition: New. Seller Inventory # 1038868-n
Book Description Condition: New. 2003. Hardcover. Deals with classical issues in the philosophy of music, including metaphysics and ontology. This book argues that music is not a hieroglyph, nor a language or sign system. It argues that music is 'ineffable', because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Translator(s): Abbate, Carolyn. Num Pages: 200 pages, 7 musical examples. BIC Classification: AVA; HPQ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 225 x 146 x 17. Weight in Grams: 352. . . . . . Books ship from the US and Ireland. Seller Inventory # V9780691090474
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WP-9780691090474