9780691117317

In Search of Opera (Princeton Studies in Opera)

Abbate, Carolyn

ISBN 10: 0691117314 / 0-691-11731-4
ISBN 13: 9780691117317
Publisher: Princeton University Press
Publication Date: 2003
Binding: Softcover
Editorial Reviews for this title:
Synopsis:

In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being.

Weaving between opera's "facts of life" and a series of works including The Magic Flute, Parsifal, and Pelléas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners.

In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.


Review:

"In Search of Opera is powerful, original, and important. Carolyn Abbate is a highly distinctive voice in the field of opera studies. Her capacity to disturb easy orthodoxies is astonishing. She brings philosophical sophistication to everything she treats. And she is a lovely writer."--Paul Robinson, Stanford University

"These essays represent a breakthrough performance, building on the author's widely admired scholarly publications but pressing out into fascinating mediations on philosophical matters inspired by the experience of music. There are gifts throughout. The chapter on The Magic Flute is by itself worth more than the price of the book."--Stanley Cavell, Harvard University

"This book, which could be described broadly as a deconstruction of musical performance, is itself a performance. It is a work of great intellectual distinction in a field that doesn't have many such. Poetic, too. Abbate is one of those few critics for whom, one feels, criticism is an art."--Joseph Kerman, University of California, Berkeley

"Abbate's brilliant study is likely to challenge readers and reshape thinking about opera for years to come"--M. Lignana Rosenberg, Opera News

From the Back Cover

Editorial reviews may belong to another edition of this title.
 

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Book Description: Princeton University Press, United States, 2003. Paperback. Book Condition: New. Revised ed. 234 x 156 mm. Brand New Book. In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music s realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera s facts of life and a series of works including The Magic Flute, Parsifal, and Pellas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera s predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso. Bookseller Inventory # AAH9780691117317

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In Search of Opera (Paperback) (ISBN: 9780691117317)
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Book Description: Princeton University Press, United States, 2003. Paperback. Book Condition: New. Revised ed. 234 x 156 mm. Brand New Book. In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music s realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera s facts of life and a series of works including The Magic Flute, Parsifal, and Pellas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera s predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso. Bookseller Inventory # AAH9780691117317

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Book Description: 2003. Paperback. Book Condition: New. 151mm x 19mm x 234mm. Paperback. In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music&#039.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 312 pages. 0.449. Bookseller Inventory # 9780691117317

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