An Arab-American Chocolat—a sensual blend of food, love and longing.
Half-Iraqi, half-American Sirine is a cook at Nadia's Cafe, which draws the neighborhood's Arab students, expatriates, and exiles. All are hungry for "real true Arab food" and connection to their homes. One is Hanif Al Eyad, a new hire in the Near Eastern Studies Department at the university who fled Iraq as a young man. Sirine and Han fall in love over food: a baklava they make together, delicate lamb dishes, hummus glistening with olive oil.
Populated by colorful and memorable characters—the lovely Sirine; the handsome Han; Sirine's story-telling uncle, whose fantastic fables are woven into the novel; a poet named Aziz; Nadia and her daughter Mireille— Crescent explores the universal themes of love and loyalty to countries old and new, to those left behind, and to tradition. Some of the characters are learning to live in one country and let go of another, and some are not—a fact that sparks a surprising ending.
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It's a positive relief to read a novel that treats Iraqis as real people. Diana Abu-Jaber's second novel, Crescent, is set in Los Angeles and peopled by immigrants and Iraqi-Americans. Thirty-nine-year-old, half-Arab Sirine is a chef in a Lebanese restaurant. Her uncle works at the university with Han, an Iraqi-born academic who begins frequenting Sirine's restaurant, drawn by her beauty and her exquisite cooking. Part of the book's charm is in its determination to impart the sheer glamour of Arabia, here personified in Han's face: "Sirine watches Han and for a moment it seems that she can actually see the ancient traces in Han's face, the quality of his gaze that seems to originate from a thousand-thousand years of watching the horizon--a forlorn, beautiful gazing, rich and more seductive than anything she has ever seen." Too, the book addresses head-on the one-dimensional view Americans possess of Iraq. I used to read about Baghdad in Arabian Nights," says one American character. "It was all about magic and adventurers. I thought that's what it was like there. And when I got older Baghdad turned into the stuff about war and bombs--the place on the TV set. I never thought about there being any kind of normal life there." As she falls more deeply in love with Han, Sirine discovers that part of being Iraqi now means learning to live with not knowing: not knowing where people have disappeared to, not knowing if your family is alive or dead. In the book's thrilling, romantic denouement, these lessons come perilously close to Sirine's Los Angeles home. Crescent brings alive a vibrant community of exiled academics, immigrants on the make, and optimistic souls looking for love. --Claire DedererAbout the Author:
NIKE DOUKAS has appeared in numerous plays including Cyrano de Bergerac, Major Barbara, Much Ado about Nothing, Everett Beekin, The Beard of Avon, Pygmalion, How the Other Half Loves, Arms and the Man and Green Icebergs. She has also performed at A Contemporary Theatre, Pasadena Playhouse, The Old Globe, Mark Taper Forum, Doolittle Theatre, Shakespeare Festival/LA, American Conservatory Theater, Shakespeare Santa Cruz, and the California and VITA Shakespeare Festivals. Television and film credits include “Desperate Housewives,” “Almost Perfect,” “Without a Trace,” “Criminal Minds,” “Boston Legal,” “Malcolm in the Middle,” Little Girls in Pretty Boxes and Seven Girlfriends. Ms. Doukas has an MFA from the American Conservatory Theater and is a member of The Antaeus Company.
DIANA ABU-JABER is the author of Origin, Crescent, The Language of Baklava, and Arabian Jazz. She has won the PEN Center USA Award for Literary Fiction, the Oregon Book Award, and other prizes. Her writing appears in the New York Times, the Washington Post, Slate, Ms., Gourmet, Salon, and Vogue, and she is frequently featured on National Public Radio. She lives in Coral Gables, Florida, and Portland, Oregon.
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