This collection of essays on Hollywood films explores a sort of twilight zone in which film actors and the characters they play become part of our reality - as living beings and as ghosts, residing on or buried beneath Mulholland Drive, and wandering among us. Thomson writes about James Stewart in "Vertigo", Jack Nicholson in "Chinatown", Cary Grant, and Greta Garbo. He imagines what Tony Manero, as played by John Travolta in "Saturday Night Fever", might have become in real life, and what James Dean's career might have been like had he survived. And he examines Hollywood's preoccupation with love, sex, death, money and glory.
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"[Thomson is] one of the finest film
critics in the English language."
--philip lopate, the new york times book review
If most film critics write about movies, David Thomson creates their literary counterpart with essays that are as dazzling, haunting, and moving as the pictures they discuss. In this bravura new collection, the Esquire columnist trains his eye on Hollywood's ghosts, exploring their tendency to rise from the grave or descend from the screen to intimately haunt our lives.
Thomson conjures up Jimmy Stewart in Vertigo, Jack Nicholson in Chinatown, and Cary Grant in any of the pictures where he makes every scene look like a lucky accident. With equal aplomb, he imagines a James Dean who survived the car crash and a post-Saturday Night Fever Tony Manero. We learn the "20 Things People Like to Forget About Hollywood" (Number 3: "You Are Their Playthings, Not the Other Way Around"). And on every page of Beneath Mulholland, we are educated, entertained, and enlarged by a book as savvy and incisive as any Hollywood reportage and as lyrical as the best fiction.
"Not just...one of our sharpest
writers-on-film, but...one of our
wisest and best writers, period."
--film comment
From the Trade Paperback edition.
David Thomson is the author of A Biographical Dictionary of Film (three editions), Showman: The Life of David O. Selznick, Rosebud: The Story of Orson Welles and three works of fiction: Suspects, Silver Light and Warren Beatty and Desert Eyes. His writing has appeared in Film Comment, Movieline, Vanity Fair, The New Republic and Esquire, to which he contributes a monthly column on the movies. Thomson lives in San Francisco with his wife and their two sons.
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