“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage.
Co-published by New York University Press and the JJC Foundation
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Sheldon I. Pollock is the William B. Ransford Professor of Sanskrit and Indian Studies and Chairman of the Department of Middle East and Asian Languages and Cultures at Columbia University. He is the author of The Language of the Gods in the World of Men: Sanskrit, Culture, and Power in Premodern India and editor of Cosmopolitanism and Literary Cultures in History: Reconstructions from South Asia.
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