this title is out of print. THE ILLUSION is available in an acting edition ISBN 9780881452310, and SLAVS! is also available in an acting edition ISBN 9780881451245
"synopsis" may belong to another edition of this title.
Tony Kushner's A BRIGHT ROOM CALLED DAY...is unabashedly political, thought-provoking, a little scary, and frequently a good deal of theatrical fun. ...BRIGHT ROOM is...an examination of Nazi Germany in an attempt to shed insight on our own time. It's brash, audacious, and, depending on your politics, anything from infuriatingly naive to intoxicatingly visionary. In its 1932-33 span, it tells of a group of Berlin artists and friends, with varying degrees of communist leanings, and of the changes in their lives as democracy falls and Adolph Hitler takes over. --Sid Smith, Chicago Tribune
In a eminently playable, witty adaptation by Tony Kushner, THE ILLUSION comes across as downright entertaining, not an adjective anyone who reads Corneille in college is likely to expect. Unlike his better known plays, which have heroic subjects, THE ILLUSION is concerned with domestic matters the alienation of parents from children, marital infidelity. While it is serious about these subjects, it puts them in an unusual context: A father has consulted a magician about his estranged son, and the magician shows him scenes from his son's life... The comedy is elegant, full of depth. --Howard Kissel, Daily News
about SLAVS!: Tony Kushner bears the curse of all artists unlucky enough to have captured the zeitgeist. They are expected to continue on their visionary path, explicating the world's mysteries in each new play. Or they are tempted to use the stage as a bully pulpit, indicting the cause of our malaise and dolling out prescriptions to sooth the pain. It is a mark of Kushner's sophistication that in his newest play he refuses to rest on his well-earned moral authority. A lesser writer would have followed ANGELS IN AMERICA with something smug and sweeping. As though Kushner feared such a fate, he instead has returned to where he started a place of healthy confusion. A taut play results: Kushner's humor buoys his political anguish, his lyricism draws dry ideas into rhapsodies and elegies, his interest in character won't let even the most vaudevillian individual conform to type. --Marc Robinson, The Village Voice
In a eminently playable, witty adaptation by Tony Kushner, THE ILLUSION comes across as downright entertaining, not an adjective anyone who reads Corneille in college is likely to expect. Unlike his better known plays, which have heroic subjects, THE ILLUSION is concerned with domestic matters the alienation of parents from children, marital infidelity. While it is serious about these subjects, it puts them in an unusual context: A father has consulted a magician about his estranged son, and the magician shows him scenes from his son's life... The comedy is elegant, full of depth. --Howard Kissel, Daily News
about SLAVS!: Tony Kushner bears the curse of all artists unlucky enough to have captured the zeitgeist. They are expected to continue on their visionary path, explicating the world's mysteries in each new play. Or they are tempted to use the stage as a bully pulpit, indicting the cause of our malaise and dolling out prescriptions to sooth the pain. It is a mark of Kushner's sophistication that in his newest play he refuses to rest on his well-earned moral authority. A lesser writer would have followed ANGELS IN AMERICA with something smug and sweeping. As though Kushner feared such a fate, he instead has returned to where he started a place of healthy confusion. A taut play results: Kushner's humor buoys his political anguish, his lyricism draws dry ideas into rhapsodies and elegies, his interest in character won't let even the most vaudevillian individual conform to type. --Marc Robinson, The Village Voice
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