Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality, vulgarity, and pomp. As Gogol's wily antihero, Chichikov, combs the back country wheeling and dealing for "dead souls"--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition.
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Nikolai Vasilievich Gogol , dramatist, novelist and short story writer of Ukrainian ethnicity. Russian and Ukrainian scholars debate whether or not Gogol was of their respective nationalities. Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol's work a fundamentally romantic sensibility, with strains of Surrealism and the grotesque ("The Nose", "Viy", "The Overcoat," "Nevsky Prospekt"). His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls), leading to his eventual exile. The novel Taras Bulba (1835) and the play Marriage (1842), along with the short stories "Diary of a Madman", "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich", "The Portrait" and "The Carriage", round out the tally of his best-known works.
Considered one of the great novels in the Russian canon, this book is a symbolic snapshot of nineteenth-century Russian life, and an intense literary experience. The story revolves around Chichikov, a man who comes to a Russian town to buy the souls of dead peasants who are still listed on the census, setting in motion a story of greed and distrust. Narrator Tom Weiner has a deep, robust, nasally tinged voice that captures the tone of the book at the beginning, but he doesn't vary his pitch and characters enough to keep the work moving. He also reads a bit too quickly; slowing down would allow us to more easily digest the philosophical aspects of the story. R.I.G. © AudioFile 2010, Portland, Maine
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