The scion of a family of wealthy timber barons, David Burkett has grown up with a father who is a malevolent force more than a father, and a mother made vague and numb by alcohol and pills. As David comes to adulthood - often guided and enlightened by the women he loves - he realizes he must come to terms with his forefathers' rapacious destruction of the woods of Michigan's Upper Peninsula, as well as the working people who made their wealth possible.
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JIM HARRISON is the author of four volumes of novellas, including Legends of the Fall; seven novels, including The Road Home and Dalva; seven collections of poetry; and two collections of nonfiction.
If the sins of the fathers are visited on the sons, what should a son do to provide moral recompense? In Harrison's earnest, initially riveting new novel, narrator David Burkett decides as a teenager in the 1960s that he must rectify the ecological damage done to his beloved Upper Peninsula area of Michigan by his rapacious timber baron ancestors. More immediately, he vows to tell the world about the rapes and abuses committed by his alcoholic father, a charismatic Yale graduate with an egregious sense of entitlement. After a foray into organized religion, David finds spiritual solace in the stark natural world, described by Harrison in soaring prose. Unable to sustain emotional connection with any woman other than his older sister, David has brief liaisons with four women, but he feels more pain over the death of his dog than of his marriage. Meanwhile, he spends decades working on a history of his despised family, only to realize that he is a dud as a writer. By this time, he's in his late 30s, a man who has never achieved maturity because his father hangs like an albatross around his neck. A master of surprise endings (Dalva, etc.), Harrison pulls off a bravura climax when David attempts to reconcile with his feckless father. By this time, though, the reader may have tired of the monochromatic narrative, composed mainly of David's anguished introspection and depressed dreams. Still, Harrison's tragic sense of history and his ironic insight into the depravities of human nature are as potent as ever and bring deeper meaning to his (eventually) redemptive tale.
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