The classic graphic biography of Che Guevara—the most iconic revolutionary of the twentieth century
This dramatic and extensively researched book breathes new life into the story of Ernesto “Che” Guevara. It portrays his revolutionary struggle through the appropriate medium of the underground political comic—one of the most prominent countercultural art forms since the 1960s.
Spain Rodriguez’s powerful artwork illuminates Che’s life and the experiences that shaped him: his motorcycle journey through Latin America, his rise to prominence as a leader in Fidel Castro’s revolutionary movement, his travels in Africa, the desperate mission in Bolivia that led to his death, and his extraordinary legacy.
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Spain Rodriguez was one of the most best-known artists in the comix underground. He (along with Robert Crumb) was one of the original members of Zap Comics and has a reputation as an outstanding political artist. He was the author of several other graphic novels, including the highly acclaimed Nightmare Alley. His work is prominently featured in BLAB!, an annual comic anthology that has also featured Charles Burns, Mark Mothersbaugh, Daniel Clowes and Chris Ware. He died in 2012.
Paul Buhle, formerly a senior lecturer at Brown University, produces radical comics. He founded the SDS Journal Radical America and the archive Oral History of the American Left and, with Mari Jo Buhle, is coeditor of the Encyclopedia of the American Left. He lives in Madison.
There are few members of the 1960s underground comics wave whose names inspire more awe and respect than that of Rodriguez (Zap, Nightmare Alley). Unfortunately, relatively little of that class's avant-garde flash or humor shows up in his worshipful graphic biography of Ernesto Che Guevara. Rodriguez tracks Guevara's development from adventurous but asthmatic middle-class Argentinean medical student to messianic revolutionary with aplomb. Guevara's by-now legendary motorcycle and hitchhiking wanderings around South America are portrayed with some levity, while the Cuban revolution and its aftermath are covered with an impressive command of the event's sociopolitical context. By folding Guevara's biographical narrative (already well-traveled by multiple other sources) into one that draws out his growing political awareness, Rodriguez keeps Guevara's beliefs front and center throughout this eventful but thickly worded book. While Rodriguez allows hints of criticism to seep in here and there, this is for the most part unalloyed hagiography, which can seem more like something produced by revolutionary committee than an artist. His art is muscular and unfussy, though oddly square, as if Mark Trail had suddenly discovered the genius of Karl Marx and Simón Bolívar. (Oct.)
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