When a poor woodcutter named John rescues an elf in distress, the elf rewards him with three magic wishes. Later, John and his wife Martha sit dreaming of all the lovely things they could ask for. But as the hours pass and John begins to get hungry, a chance remark begets not riches but a string of sizzling, succulent sausages! The argument this causes between the couple leads to a very silly situation, which only their last remaining wish can put right. Jessica Souhami’s gorgeous cut-paper collages and short, rhythmic text make this a perfect book for reading aloud.
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Jessica Souhami studied at the Central School of Art and Design. In 1980 she formed Mme Souhami and Co, a travelling puppet company using colourful shadow puppets with a musical accompaniment and a storyteller. Her illustrations, like her puppets, use brilliant colour and bold shapes and her characters leap and swoop across the spreads. Her books for Frances Lincoln are Sausages!, In the Dark, Dark Wood, Baba Yaga and the Stolen Baby, Leopard's Drum, No Dinner!, Rama and the Demon King, The Famous Adventures of a Bird Brained Hen, The Little, Little House, Mrs McCool and the Giant Cuchulainn and King Pom and the Fox. Jessica lives in North London.
PreSchool-Grade 2—In this vibrant retelling of the Grimms' The Three Wishes, brilliantly designed paper collages capture every trace of humor in this cautionary tale. In Souhami's version, a woodcutter rescues an elf from a rosebush and is granted three wishes with the accompanying warning, "Be careful what you wish for." Of course, the woodcutter asks for sausages. His wife responds with an angry reply that leaves the sausages stuck on his nose, and, of course, the last wish must be used to remove them. The story begs to be read aloud or told-the language is rich with sound effects ("WH...OOO...SH, out from the chimney shot a string of sizzling, succulent sausages!") and the book's design extends the comic scenes of the couple trying desperately to remove the meat. It's unfortunate that the author felt the need to include the original caution instead of letting children enjoy the tale as it plays itself out. Still, with Margot Zemach's (Farrar, 1986) and Paul Galdone's (McGraw-Hill, 1961) versions out of print, this bright retelling is just what storytellers and storyhour providers would hope for.—Kathleen Whalin, York Public Library, ME
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