Film critic and experimental filmmaker Jonas Mekas has been a central figure in the New York avant-garde almost since arriving there from Lithuania soon after the end of World War II. He documented and was associated with the Fluxus movement, Warhol's Factory, and the Living Theater, and as the founder of the Filmmaker's Co-Op and Anthology Film Archives he has been a tireless and essential advocate of avant-garde film and performance. During all this time he has never been without his Bolex camera, which he has used to write a long, intimate film from which the photograms in Just Like a Shadow were extracted. As Mekas himself sees it: "The cinema is nothing but a photogram, one single photogram!" And indeed the cinematic quality of this collection is unmistakable. Journeying through Mekas' story, we encounter a great many of Mekas' fascinating friends, such as Andy Warhol, Nam June Paik, Robert Frank, the Kennedy family, Salvador Dali, Yoko Ono and John Lennon, Nico, Gerard Malanga, Allen Ginsberg, Henri Langlois, Stan Brakhage, Jack Kerouac, Lou Reed, Miles Davis, and many others, witnessing all those moments, happy or not, which he captured with his camera and his irreverent eye.
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As editor of Film Culture and founder of the Anthology Film Archives, and through his own films, Mekas shaped an art form that had a wide influence on mainstream movies, video art, and web design. His own works are visual diaries in a staccato style, fully edited within the camera. This book consists solely of about 150 pages of enlarged frames from Mekas's films, along with a brief interview in which the 78-year-old Lithuanian-born artist reflects on his career. Presented as static images, the frame blowups at times resemble fuzzier, less-evocative iterations of Cindy Sherman's pictures. There are numerous familiar faces repeated throughout (John and Yoko, Taylor Mead, Lee Radziwill, and, ad nauseum, Andy Warhol), the cumulative effect of which isAsomewhat inaccuratelyAto circumscribe Mekas within very specific cultural terrain and make this book little more than a scrapbook. At best, this book lets film/video artists see a little of an early master's films; at worst, it's a record of some pretty unmemorable imagery and a catalog of Mekas's circle of friends during his relatively brief heyday. Useful only for those libraries specializing in film or video art.ADouglas F. Smith, Oakland P.L., CA
Copyright 2001 Reed Business Information, Inc.
Mekas’s images...all have a feeling of spontaneity and the immediacy of life. There is a marvelous sense of intimacy... -- The New York Times Book Review, January 28, 2001 –Eric P. Nash
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1. edit. 28,5 x 21,5 cm. [174] S. mit sehr zahlr. Abb. Illustr. OPpbd. Film critic and experimental filmmaker Jonas Mekas has been a central figure in the New York avant-garde almost since arriving there from Lithuania soon after the end of World War II. He documented and was associated with the Fluxus movement, Warhol's Factory, and the Living Theater, and as the founder of the Filmmaker's Co-Op and Anthology Film Archives he has been a tireless and essential advocate of avant-garde film and performance. During all this time he has never been without his Bolex camera, which he has used to write a long, intimate film from which the photograms in Just Like a Shadow were extracted. As Mekas himself sees it: "The cinema is nothing but a photogram, one single photogram!" And indeed the cinematic quality of this collection is unmistakable. Journeying through Mekas' story, we encounter a great many of Mekas' fascinating friends, such as Andy Warhol, Nam June Paik, Robert Frank, the Kennedy family, Salvador Dali, Yoko Ono and John Lennon, Nico, Gerard Malanga, Allen Ginsberg, Henri Langlois, Stan Brakhage, Jack Kerouac, Lou Reed, Miles Davis, and many others, witnessing all those moments, happy or not, which he captured with his camera and his irreverent eye. (Editor's text). Sprache: Englisch. Seller Inventory # 50536AB
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hardcover. Condition: Very Good. Signed. First Edition. Very Good hardcover first edition. Inscribed and SIGNED by Jonas Mekas inside front cover: "For Shelly from Jonas and all of us at Anthology." Gently used with NO markings in text; binding is tight. Some very light scuffs to boards. Pasadena's finest independent new and used bookstore since 1992. Seller Inventory # mon0000640439
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Hardcover. Condition: Very Good. First Edition; First Printing. Hardcover. 4to. Published by Steidl, Gottingen, Germany. 2000. 224 pgs. Illustrated. Signed and inscribed by Jonas Mekas on the FFEP (To Paul from all of us at Anthology). First Edition/First Printing. Bound in illustrated paper covered boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Film critic and experimental filmmaker Jonas Mekas has been a central figure in the New York avant-garde almost since arriving there from Lithuania soon after the end of World War II. He documented and was associated with the Fluxus movement, Warhol's Factory, and the Living Theater, and as the founder of the Filmmaker's Co-Op and Anthology Film Archives he has been a tireless and essential advocate of avant-garde film and performance. During all this time he has never been without his Bolex camera, which he has used to write a long, intimate film from which the photograms in Just Like a Shadow were extracted. As Mekas himself sees it: "The cinema is nothing but a photogram, one single photogram!" And indeed the cinematic quality of this collection is unmistakable. Journeying through Mekas' story, we encounter a great many of Mekas' fascinating friends, such as Andy Warhol, Nam June Paik, Robert Frank, the Kennedy family, Salvador Dali, Yoko Ono and John Lennon, Nico, Gerard Malanga, Allen Ginsberg, Henri Langlois, Stan Brakhage, Jack Kerouac, Lou Reed, Miles Davis, and many others, witnessing all those moments, happy or not, which he captured with his camera and his irreverent eye. EB; 11.2 X 8.5 X 0.8 inches; 224 pages. Seller Inventory # 63997
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