The Idiot, alongside some of Dostoyevsky's other works, is often considered one of the most brilliant literary achievements of the "Golden Age" of Russian literature. In her essay "The Epileptic Mode of Being," Elizabeth Dalton wrote that in The Idiot, more than in any other of Dostoevsky's works, we are shown "the actual experience itself" of one mind wrestling with the various tensions of life - rather than simply dwelling on "intellectual speculation," as we see in Crime and Punishment and Notes from Underground. Richard Pevear called The Idiot "Dostoevsky's most autobiographical novel," and notes that, in contrast to Crime and Punishment, setting has very little importance in this novel: "Russia is present in the novel not as a place but as a question - the essence of Russia, the role of Russia and the "Russian Christ" in Europe and in the world."
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