Graphic design in the mechanical age: Selections from the Merrill C. Berman collection

Deborah Menaker Rothschild

Published by Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt Nation, 1998
ISBN 10: 0913697230 / ISBN 13: 9780913697238
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Synopsis: Drawing from Merrill C. Berman's private collection of 20th-century posters, adverts, photomontages and graphic ephemera, this book showcases over 200 examples of progressive graphic design from the 1920s and 30s. European, Soviet and American avant-garde designers and artists of the time, using new technologies of mass production and mass distribution, marketed everything from salad oil and cigarettes to communism, utopian socialism and the avant-garde itself. These selections from the Berman Collection include works by well-known artists (Lissitzky, Rodchenko, Cassandre, Man Ray and others) and by lesser-known masters. The book begins by detailing Berman's role in shaping the history of graphic design as he amassed his collection. The authors then investigate the filtering of avant-garde design into mass produced posters and advertisements, the evolution of design production techniques in the Machine Age and the avant-garde's promotion of itself. This book accompanies an exhibition that opens at the Williams College Museum of Art in April 1998, then travels to the Cooper-Hewitt National Design Museum in February 1999, and later to Spain, Japan and The Henry Museum in Seattle.

Review: Deborah Rothschild, Ellen Lupton, and Dara Goldstein The look of the machine age was crafted in the design studio before machinery had been invented that could approximate it. For a poster advertising the 1924 film Kino Eye, Aleksandr Rodchenko employed crayon to mimic the continuous tonal range of photography, and hand-lettered a "machine" font of his own rather than use the old-fashioned scripts (ultimately based on handwriting) that were available on printers' blocks. A 1928 poster for a municipal pool in Germany seemingly depicts a muscled diver in midair, but a surviving production photograph shows that the swimsuited model was stretched out stiffly on a towel and "diving" into a rose bush, his clothes tossed behind him. This beautifully printed selection of 210 objects (on view now at Williams College, moving to the Cooper-Hewitt in February) forms the basis for intelligent essays on the dialectical evolutions of design and production, on the Dadaists' unwitting invention of modern promotionalism, and on the often conflicting commercial and political uses to which that exuberant visual language was turned. If today the diver and the rose-bush look like something out of Magritte, there is more than coincidence involved. Don't see the ensemble in a Fruitopia ad tomorrow? Look for it in Russian campaign posters next year.
Copyright © 1996, Boston Review. All rights reserved. -- From The Boston Review

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Title: Graphic design in the mechanical age: ...
Publisher: Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt Nation
Publication Date: 1998
Binding: Paperback
Book Condition: Used: Good

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Darra Goldstein; Williams College, Museum of Art Staff; Cooper-Hewitt Museum Staff; Deborah Menaker Rothschild; Ellen Lupton
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Book Description Williams College, Museum of Art. Paperback. Book Condition: Good. Ex-Library Book - will contain Library Markings. Book shows a small amount of wear to cover and binding. Some pages show signs of use. Bookseller Inventory # G0913697230I3N10

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Rothschild, Deborah Menaker
Published by Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, U.S.A. (1998)
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Book Description Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, U.S.A., 1998. Soft cover. Book Condition: Very Good. 1st Edition. No flaws to note. Gently handled, Bindings tight text clean. ____ Drawing from Merrill C. Berman's private collection of 20th-century posters, adverts, photomontages and graphic ephemera, this book showcases over 200 examples of progressive graphic design from the 1920s and 30s. European, Soviet and American avant-garde designers and artists of the time, using new technologies of mass production and mass distribution, marketed everything from salad oil and cigarettes to communism, utopian socialism and the avant-garde itself. These selections from the Berman Collection include works by well-known artists (Lissitzky, Rodchenko, Cassandre, Man Ray and others) and by lesser-known masters. The book begins by detailing Berman's role in shaping the history of graphic design as he amassed his collection. The authors then investigate the filtering of avant-garde design into mass produced posters and advertisements, the evolution of design production techniques in the Machine Age and the avant-garde's promotion of itself. This book accompanies an exhibition that opens at the Williams College Museum of Art in April 1998, then travels to the Cooper-Hewitt National Design Museum in February 1999, and later to Spain, Japan and The Henry Museum in Seattle. Bookseller Inventory # 004668

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Book Description Yale University Press, Connecticut, 1998. Softcover. Silver and color illustrated wraps, 218pp, profuse color and BW illustrations within the text and plates. Drawing on a spectacular private collection of twentieth-century posters, ads, photomontages, and graphic ephemera, this book showcases more than two hundred examples of progressive graphic design from the 1920s and 1930s. The selections represent the work of Soviet, European, and American avant- garde designers and artists who used the new technologies of mass production and distribution to market everything from salad oil to communism to the avant-garde itself. VG, previous ownber name stamped at base of ffep. Bookseller Inventory # 153004

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Rothschild, Deborah;Goldstein, Darra;Lupton, Ellen;Cooper-Hewitt Museum;Williams College
Published by Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, New York (1998)
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Book Description Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, New York, 1998. Soft cover. Book Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition - First Printing. Book. Bookseller Inventory # 012783

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Book Description Yale UniversityPress, New Haven and London, 1998. Soft cover. Book Condition: As New. No Jacket. 1st Edition. New Haven, London, Williams College Museum of Art. 1998. Quarto.XI-206 pp. (1)107 colored illustrations, with artists'biographies, checklist of the exhibition.Orig.wr. in fine unmarked condition. Weight:1 kilo. Bookseller Inventory # 0004420

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Deborah Menaker Rothschild
Published by Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution (1998)
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Book Description Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, 1998. Paperback. Book Condition: Used: Very Good. Bookseller Inventory # SONG0913697230

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Deborah Menaker Rothschild
Published by Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution (1998)
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Published by Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution (1998)
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Book Description Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, 1998. Soft cover. Book Condition: Fine. Large paperback in fine condition. Bookseller Inventory # 618680

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