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HANGING THE HEAD: PORTRAITURE AND SOCIAL FORMATION IN EIGHTEENTH-CENTURY ENGLAND

Pointon, Marcia

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ISBN 10: 0300057385 / ISBN 13: 9780300057386
Published by Yale University Press, New Haven, CT, 1993
Condition: NF/NF; Hardback Hardcover
From Easton's Books, Inc. (Mount Vernon, WA, U.S.A.)

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4to 11" - 13" tall; 278 pages Near Fine condition with Near Fine . Bookseller Inventory # 37147

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Bibliographic Details

Title: HANGING THE HEAD: PORTRAITURE AND SOCIAL ...

Publisher: Yale University Press, New Haven, CT

Publication Date: 1993

Binding: Hardcover

Book Condition:NF/NF; Hardback

Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis:

England in the 18th century possessed a thriving portrait culture which was part of a network of visual communication that encompassed print-collecting, popular performance and figurative acts of speech. In this book, Marcia Pointon demonstrates how portraiture provided mechanisms both for constructing and accessing a national past and for controlling a present that appeared increasingly unruly. Through historical analyses of particular aspects of portrait representation - images of criminals, the fashions and rituals around the masculine culture of hair and wigs, the gendering of childhood in paintings like "Penelope Boothby" or "Pinkie" - Pointon establishes the ways in which portraiture signified 18th-century England. How "the head" was hung was determined by social rules of posture and decorum, by artistic convention and commerical practice, and literally by the ways in which patrons chose to hang in particular arrangements on walls - paintings that served ritual and symbolic as well as decorative functions.

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