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Published by LEGARE STREET PR, 2022
ISBN 10: 1016300948ISBN 13: 9781016300940
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book Print on Demand
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Published by S. Richault [1850?], Paris, 1850
Seller: Colin Coleman Music, Stewkley, United Kingdom
Sheet Music
Size: Folio. 9, 3pp. Sewn as issued in publisher's printed wrappers. Engraved.
Published by Legare Street Press, 2022
ISBN 10: 1016291094ISBN 13: 9781016291095
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book Print on Demand
Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Published by Richault, Paris
Seller: Félix ALBA MALZIEU, Le Puy-en-Velay, France
Sheet Music
Pas de couverture. Condition: Très bon. REBER Napoléon Henri. Variations Pour le Piano sur un Air suisse Dédiées à Mademoiselle Eugénie Boucault. Oeuvre 6. A Paris, Chez Richault, sans date (c.1833). In-folio. 10 pp. PN 2327R. Broché.
Brustbild.- Henri Reber (* 21. Oktober 1807 in Mülhausen/Elsass; ? 24. November 1880 in Paris) war ein französischer Komponist. Er komponierte fünf Opern und das Ballett Der verliebte Teufel, vier Sinfonien und eine Orchestersuite, die Kantate Roland, kammermusikalische Werke, Lieder, Vokalisen, Chöre und geistliche Vokalmusik.# Etching by Charles Alphonse DEBLOIS (1822-1883).-.
Published by Colombier [1863], Paris, 1863
Seller: Colin Coleman Music, Stewkley, United Kingdom
Sheet Music
Size: Folio. 59, 13, 13pp. Folded as issued (outer fold reinforced with white tape). Engraved. Dedicated to Madame La Comtesse Nina Branicka.
Published by Paris, Richault (Pl.Nr. 10048) [ca. 1855]., 1855
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
9, 3, 3 gest. S. Kleinere Gebrauchsspuren. Erstausgabe. - Cellostimme zweifach vorhanden.
Seller: Antiquariat Michael Eschmann, Griesheim, Germany
Art / Print / Poster
0. Sprache: Deutschu.
5 lettres autographes signées 6 1/2 In-8 et in-12 1840-1856 Adresses et marques postales au dos. auréoles importantes Correspondance amicale, rendez-vous, voeux. «Nous aurons demain soir une petite réunion chez Delsarte ; il y chantera bien des choses que vous aimez. Je compte absolument sur vous [.]». Compositeur.
Published by [inter ca 1810-ca 1840], Paris, Vienna, Bonn, 1810
Seller: Colin Coleman Music, Stewkley, United Kingdom
Sheet Music
Size: Three partbooks. Folio. Lacking the viola partbook volume which completes the string trios and the quartets. Quarter leather, gilt, marbled baords (scratched). Some light foxing and water-stains. Engraved. Three partbooks. Folio. Lacking the viola partbook volume which completes the string trios and the quartets.
Published by N. p., 16. I. 1852., 1852
Seller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscript / Paper Collectible
Oblong 8vo. 1 page notated in 20 bars on 3 systems of 2 staves. Brown ink on paper. Beautiful quotation of the first bars of an Allegretto in c minor for piano.
Published by Mulhouse, 27. VIII. 1850., 1850
Seller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscript / Paper Collectible
8vo. 3 pp. on bifolium. Intimate letter to Cécile Marianne Dollfus, wife of the journalist Armand Bertin, inquiring after the well-being of her husband and describing a disastrous visit of president Louis Napoleon Bonaparte, the later Emperor Napoleon III, to Mulhouse. Reber had recently returned to live with his family in Mulhouse, leading a "very monotonous life" and working "as much as he can". He confides a lack of self-confidence with respect to his work that has "crept over" him "for some time" and that he still experiences when he imagines that the audience rejects his music. He then discusses the president, who (he says with ironic understatement) had been "moderately satisfied with the reception he received" in Mulhouse. Apart from the "hostile disposition" of a part of the population, there was also "gaucheness" committed by those who "had the best intentions". In an almost comical manner, Reber describes how the national guard arrived too late and played the Marseillaise, at the time considered an oppositional hymn, and that a speech by an industrialist, who believed "to be making the most flattering compliments", was "full of impertinences". As a result, the "unfortunate president was so unhappy with his reception that he departed earlier", cancelling visits to industrial establishments. In turn, the industrialists, including a mutual friend "who expected to be decorated", were furious at the president. In closing, Reber mentions that he has started to read Armand Bertin's "Journal des débats", not so much for an "interest in political affairs" but in order to "find a reflection of something" that reminds him of his friends. - Reber returned to Paris sooner than he might had expected, as he was made professor of harmony at the Paris Conservatory in 1851. In 1862 he succeeded Fromental Halévy as professor of composition. - Traces of folds. With very light foxing and traces of an old repair.