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Published by Peter Blum Edition, 2023
ISBN 10: 0998736066ISBN 13: 9780998736068
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Published by Peter Blum Edition, 2023
ISBN 10: 0998736066ISBN 13: 9780998736068
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Condition: New.
Published by Peter Blum Edition, 2023
ISBN 10: 0998736066ISBN 13: 9780998736068
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Peter Blum Edition, 2023
ISBN 10: 0998736066ISBN 13: 9780998736068
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Springer, Berlin, Springer Nature Switzerland, Palgrave Macmillan, 2024
ISBN 10: 3031499441ISBN 13: 9783031499449
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book Print on Demand
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits ofimagination to create pulsatile imaginaries, i.e., a dynamic process of 'emergence-resurgence' of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term 'rite of disimagination' points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image - it valorizes matter. The affirmation of the materiality of image is 'the re-incarnation of image.' 300 pp. Englisch.
Published by Springer International Publishing AG, 2024
ISBN 10: 3031499441ISBN 13: 9783031499449
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Book First Edition
Hardcover. Condition: new. Hardcover. Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits ofimagination to create pulsatile imaginaries, i.e., a dynamic process of emergence-resurgence of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term rite of disimagination points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image it valorizes matter. The affirmation of the materiality of image is the re-incarnation of image. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Palgrave Macmillan, 2024
ISBN 10: 3031499441ISBN 13: 9783031499449
Seller: California Books, Miami, FL, U.S.A.
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Published by Springer, Berlin|Springer Nature Switzerland|Palgrave Macmillan, 2024
ISBN 10: 3031499441ISBN 13: 9783031499449
Seller: moluna, Greven, Germany
Book Print on Demand
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overar.
Published by Springer Nature Switzerland Mär 2024, 2024
ISBN 10: 3031499441ISBN 13: 9783031499449
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits ofimagination to create pulsatile imaginaries, i.e., a dynamic process of 'emergence-resurgence' of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term 'rite of disimagination' points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image - it valorizes matter. The affirmation of the materiality of image is 'the re-incarnation of image.'.
Published by Springer International Publishing AG, 2024
ISBN 10: 3031499441ISBN 13: 9783031499449
Seller: AussieBookSeller, Truganina, VIC, Australia
Book First Edition
Hardcover. Condition: new. Hardcover. Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits ofimagination to create pulsatile imaginaries, i.e., a dynamic process of emergence-resurgence of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term rite of disimagination points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image it valorizes matter. The affirmation of the materiality of image is the re-incarnation of image. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Alexandros Press, Leiden, 2020
ISBN 10: 9080647608ISBN 13: 9789080647602
Seller: Luigi De Bei, PREGANZIOL, TV, Italy
Book First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Nicoletta Isar,Elemental Chorology -Vignettes ImaginalesPages 448 ( 304 of text -250 Illustrations mostly in full colour ) codice articolo 012114 - Language : english text This book is a second attempt to reinscribe throughout time Plato?s chorology (the chorological discourse about chôra, 48e-53c in his dialogue Timaeus), which follows my first attempt in the 2011 book The Dance of Adam: Byzantine Chorography, which reinscribed chôra through dance, the ineffable moving trace of the originary matrix as revivified in Byzantine iconic inscription. The Vignettes Imaginales in this book focus on a precise theme of reflection within chorology: the elemental. This is an exercise of imagination in the sense that one could possibly dream of Plato?s chôra, or long for such abysmal vision. The book?s two parts, 'The Book of Tears' and 'The Book of Passions' are thought to fit the chorological frame and the elemental. The chapters move around the elementals as they manifest themselves within the creation as the fluid elemental, the round elemental carried by grace (charis), the dew and the magical charm, the aromatic recollection of Eden. Visions of the body and ground, chortós, chôra, and chorós, moving further into the pathos of the elemental, illustrate the passions of image and sound, from dazzling radiance and dazzling sonority, into the sonic stroke, and the choral phonophobia in contemporary video of Bill Viola. Tears are present not only as an eminent fluid elemental in the creation, but to evoke lamentation in the post-lapsarian imaginary. The subchapter ?Choral Blast? addresses the dramatic moment of the fall of Adam, the cosmic moment that reinscribes chorology in history with the event of Adam?s expulsion from Paradise, which is the beginning of his lament and his longing. This moment is imagined as a sonorous, cosmic event, in which various elementals participate in order to point to the invisible, yet audible, wrath presence of God: His thundering voice (kol), the divine breath (ruach) moving peripatetically around the demised Eden. This moment is chorologically reinscribed in Adam?s Lament, the choral work of the acclaimed contemporary composer Arvo Pärt. The analysis aims to show how the elemental operates in music, and how the musical score, through chiastic disposition and the choral, generates most overwhelming effects, metaphorically described in the book as ?drops of sound,? ?the tears of Adam.? Emblematic throughout the book is the figure of Adam. Just as the Byzantine Chorography (2011) was devoted to the Dance of Adam, this book is devoted to the Lamentation of Adam, where Adam is understood not only as the forefather of humanity, but also as humanity itself. Adam is Man. Man is Adam. The book ends with a closing word on Empedocles? tragedy of the elementals and the exorbitant vision of his death that troubled the poet imagination of Hölderlin. Extinguished by fire, as in a Greek drama, Empedocles becomes one of his elemental roots. CONTENTS: Introduction. I. The Book of Tears. 1. Fluid Elementals: Of Tears, Dew and Fire. 2. Round Elementals: Of Air, Charites, and the Dancing Chôra. 3. Subtle Elementals Breath and Grace. II. The Book of Passions. 1. Sonic Tropes of Passion: Blow, Blast, Sound. 2. The Materiality of Passions: Ambrosia and Tears, Magic Charm. 3. Three Lamentations of Adam: Drops of Sound ? The.
Published by Alexandros Press, Leiden, 2011
ISBN 10: 9490387045ISBN 13: 9789490387044
Seller: Luigi De Bei, PREGANZIOL, TV, Italy
Book First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. prima edizione. NICOLETTA ISAR XOPÓS: THE DANCE OF ADAM The Making of Byzantine Chorography The Anthropology of the Choir of Dance in Byzantium This book is of great value as regards originality and innovation. Isar demonstrates the thesis that sacred space in Byzantium was a performative choral space. She offers with her Chorography, for the first time in Byzantine studies, an important paradigm, ?????, a paradigm which has its roots deep in ancient practices and which, when unearthed, could explain the sacred space in Byzantium. This book reads ????? from an interdisciplinary perspective, incorporating anthropological, theological, and performative aspects. Byzantine chorography is the inscription of sacred space by the mystical dance, ????? Chorography is intimately associated with hierotopy in spirit and vocation, for both aim to contribute to the work of unveiling the mechanism by which sacred space was made in Byzantium. Contents: 1. X????: A paradigm of Ritual Performance in Antiquity and Early Christianity. 2. The Dance of Adam: The Anthropology of the Byzantine Image of the Choir of Dance. 3. Byzantine Chorography: A space for Choreographical Inscription. 4. Comparative Chorography: Celica Iherusalem Carolina, Imperial Apocalyptic Light in the Palatine Chapel of Aachen. Epilogue: "That Adam may Dance" ¿ That All Earth may exult. Bibliography. Index. List of Illustrations. Illustrations 1-286. Bound, 24x17 cm. 448 pp. (304 pp. text and 286 illustrations, mostly in colour) 2011 ISBN: 978-94-90387-04-4 Price: EURO 350 Choros : The Dance of Adam : The Making of Byzantine Chorography : The Anthropology of the Choir of Dance in Byzantium Author: Isar, Nicoletta ISBN: 9789490387044 Record created on 02/13/2011 Description: Leiden: Alexandros Press, 2011. 24cm., hardcover, 448pp. with 271 illus., most in color. English text. Summary : This book is of great value as regards originality and innovation. Isar demonstrates the thesis that sacred space in Byzantium was a performative choral space. She offers with her Chorography, for the first time in Byzantine studies, an important paradigm, Choros, a paradigm which has its roots deep in ancient practices and which, when unearthed, could explain the sacred space in Byzantium. This book reads Choros from an interdisciplinary perspective, incorporating anthropological, theological, and performative aspects. Byzantine chorography is the inscription of sacred space by the mystical dance, Choros. Chorography is intimately associated with hierotopy in spirit and vocation, for both aim to contribute to the work of unveiling the mechanism by which sacred space was made in Byzantium. Contents: 1. Choros : A paradigm of Ritual Performance in Antiquity and Early Christianity. 2. The Dance of Adam: The Anthropology of the Byzantine Image of the Choir of Dance. 3. Byzantine Chorography: A space for Choreographical Inscription. 4. Comparative Chorography: Celica Iherusalem Carolina, Imperial Apocalyptic Light in the Palatine Chapel of Aachen. Epilogue: "That Adam may Dance" ¿ That All Earth may exult - language : English text Size: 240 x 170 mm.