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Published by Time-Life [1967], 1967
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.
Published by New York Academy of Sciences, 1983
ISBN 10: 0897662261ISBN 13: 9780897662260
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Used offers from US$ 14.99
Condition: Very Good.
Published by Interscience, 1965
Seller: Ann Becker, Houston, TX, U.S.A.
First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition.
Published by New York Academy of Sciences, 1983
ISBN 10: 089766227XISBN 13: 9780897662277
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book
Condition: Used - Very Good. 1983. Paperback. Pbk. Some shelf-wear. Else clean copy. Very Good.
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Published by Roberton Publications [1962], Wendover, 1962
Seller: Colin Coleman Music, Stewkley, United Kingdom
Sheet Music
Size: Folio. 11pp. Stapled as issued in publisher's printed wrappers.
Published by HMSO, 1901
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
First Edition
Hardback. Condition: GOOD. 1st Edition. 1901. HMSO. First. Disbound loose sheets with clear protective covers. 7.5.x11. Provisional specification for patent application together with drawings.
Published by Louis Alexander Gallery, New York, N.Y., 1962
Paperback. White illustrated stapled wraps with black lettering; unpaginated; fold-out plate; richly illustrated. "Alfred Lewin Copley (1910-1992) was a German-American medical scientist and an artist at the New York School in the 1950s. As an artist he worked under the name L. Alcopley. He is best known as an artist for his abstract expressionist paintings, and as a scientist for his work in the field of hemorheology." -- website. Good (Wraps show discoloration, foxing and shelfwear; pages show age-toning, but are clean; binding is solid.).
Seller: The land of Nod - art & books, Oostende, Belgium
First Edition
No Binding. Condition: Fine. Invitation. Two documents : 1958; 1963. Fine. Ephemera.
Published by Interscience Publishers a division of John Wiley & Sons, New York London Sydney, 1965
First Edition
Hard Cover. Condition: Very Good. No Jacket. First Edition. Previous owner's name on front free end paper otherwise a clean tight copy. Binding is blue cloth with gilt titling to spine. This is a heavy book and we will request extra postage if ordered from outside the UK. 327848.
Published by Interscience Publishers a division of John Wiley & Sons, New York London Sydney, 1965
First Edition
Hard Cover. Condition: Very Good. No Jacket. First Edition. A clean tight copy bound in blue cloth with gilt titling to spine. x, 373pp. 327849.
Ausstellungskatalog Galerie Suzanne Fischer, Baden-Baden 1983. 8°. 6 Blatt. OBroschur. Mit 5 Abbildungen. Mit Vorworten von J.J. Sweeney und Siegfried Broese.
Ausstellungskatalog Galerie van de Loo, München 1962. 4°. 8 Blatt. OBroschur. Mit 7 Abbildungen.
Published by Baden-Baden, Galerie Suzanne Fischer, 1983
Seller: Antiquariat Im Baldreit, Baden-Baden, Germany
Book
8°, weiße illustrierte OBrosch. Mit Abbildungen, 16 Seiten (unpaginiert), Einband lichtbeschienen, sonst gutes Exemplar Sprache: Deutsch.
Published by Amsterdam : Stedelijk Museum,, 1962
Seller: Antiquariaat Digitalis, Amsterdam, Netherlands
Book
Soft cover. Condition: Good. Softcover, [16] pages : illustrations ; 26 cm. Good, age-toning/foxing of wrappers. Exhibit. cat.#305. With original lithograph at center-pages.
Published by TECHNIQUE & DOC, 1991
ISBN 10: 2852067080ISBN 13: 9782852067080
Seller: Ammareal, Morangis, France
Book
Softcover. Condition: Bon. Légères traces d'usure sur la couverture. Edition 1991. Tome 3. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Edition 1991. Tome 3. Ammareal gives back up to 15% of this book's net price to charity organizations.
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Published by New York: David Findlay Jr Fine Art., 2009
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. 13 pp. Soft cover. Very Good. Illustrated paper wraps. Staple binding. Color plates throughout. Extremely Scarce.From the Collection of the Art Historian Peter Selz.
Publication Date: 1983
Seller: Xerxes Fine and Rare Books and Documents, Glen Head, NY, U.S.A.
Condition: Near Fine. NY 1983. Annals of New York Academy of Science, Vol. 416. Octavo, original printed hardcover. A few institution stamps, but no spine numbers and no pocket. Near Fine.
Published by Una Editions, New York, 1984
Seller: Better Read Than Dead, Brooklyn, NY, U.S.A.
Lesser-known epigrammatic writings of abstract expressionist and medical scientist, Alfred L. Copley. The title was inspired by an exchange between a Zen abbot and Copley in 1965 during a prompt to make ink drawings in an isolated large temple room. When the abbot returned to see what Copley had created, he also showed him an illustration he had made and told Copley they made the same drawing. To this Copley responded, no they are different, your drawing is of a closed circle and mine is an open circle for I must have a way out. The illustrations, described by the philosopher Heinrich Bluecher as 'cosmic stenography,' accompany Copley's habitual epigrams having 'no purpose of any kind.' This copy has a title page inscription, 'To Sally and Henry with all good wishes [.]' dated 21 December 1986. Very good condition, spine lightly soiled and sunned, covers age-toned and sunned with some soiling and scuffing Perfect-bound, large octavo, pictorial wraps, 96 pp.
Traduction Francois Mathey, Paris. Translation Joseph Freemann, New York. Galerie Parnass, Wuppertal 1961. 8°. 5 Bl. Text, 32 Bl. Abb., 1 S. Druckvermerk. OUmschl. in OSchuber. Im Druckvermerk vom Künstler und dem Autoren signiert. Alcopley (1910-1992) war zunächst als Mediziner tätig. Später wandte er sich der abstrakten Malerei zu und gründete 1949 zusammen mit Franz Kline und Willem de Kooning eine Künstlergruppe. Eines von 65 (gesamt 140) Exemplaren für die Freunde der Autoren.
Published by Centre Georges Pompidou,, Paris,, 1977
Seller: Librairie Christian Chaboud, Bruxelles, Belgium
First Edition
in-4, cartonnage éditeur illustré, 729p. Edition originale. TRES BON ETAT.
Published by S.n., 1950
Photograph First Edition
autre. - S.n., s.l. (Paris) s.d. (ca 1950), 11x8,5cm, 5 négatifs en plastique & 1 en verre. - Ensemble de six négatifs photographiques (5 sur plastique et un sur verre) visualisant des hémorragies au microscope réalisés dans les années 1950 par Alfred L. Copley dans son laboratoire parisien. Chaque négatif sauf un est accompagné d'une fiche technique à en-tête du laboratoire de Copley. Sous le pseudonyme de L. Acopley, ce scientifique et artiste de l'Ecole de New York réalisa des oeuvres emblématiques de l'expressionnisme abstait. Médecin de formation, il s'intéressa particulièrement à l'hémorhéologie, c'est-à-dire l'étude des propriétés d'écoulement du sang. Les négatifs que nous proposons sont un précieux témoignage de ses recherches et furent une inspiration incontestable pour ses oeuvres picturales. Ses oeuvres sont aujourd'hui conservées au musée national d'Art moderne de Tokyo, à l'Art Institute de Chicago, au Stedelijk Museum d'Amsterdam et au musée Israel de Jérusalem. [ENGLISH TRANSLATION FOLLOWS] [NEW YORK SCHOOL] Alfred L. COPLEY Collection of six photographic negatives showing haemorrhages under a microscope [Paris ca 1950] | 11 x 8.5 cm | 5 plastic negatives & 1 glass Collection of six photographic negatives (5 on plastic and 1 on glass) showing haemorrhages under a microscope made in the 1950s by Alfred L. Copley in his Parisian laboratory. Each negative, except one, is accompanied by a technical sheet on Copley's laboratory letterhead. Under the pseudonym L. Acopley, this scientist and artist from the School of New York produced emblematic works of abstract expressionism. A doctor by training, he was particularly interested in hemorheology, in other words the study of the flow properties of blood. The negatives that we have to offer are a valuable testimony to his research and were an undeniable inspiration for his pictorial works. His works today are preserved at the National Museum of Modern Art in Tokyo, at the Art Institute of Chicago, at the Stedelijk Museum in Amsterdam and at the Israel Museum in Jerusalem.