Anderson Domenico (6 results)

LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1959 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 32 Language: Italian Volume ser.1:6 Pages: 32 Volume ser.1:6.

LeatherBound. Condition: NEW. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1915 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 24 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.

LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1959 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 184 Language: Italian Volume ser.1:1 Pages: 184 Volume ser.1:1.

Condition: Good. Gold-toned gelatin silver print (46" x 20"). A single composite print (consisting of three nearly seamless parts), mounted on board. A few scattered short tears and small tack holes at the edges, one three-inch closed tear on right edge, one narrow light stain along the left edge, about very good overall, with toning and dust-soiling on the back of the board. An exceptional panoramic view of the Forum Romanum, with the Temple of Saturn prominent at the center; the Temple of Vespasian and Arch of Septimius Severus on the left; and with the Colosseum visible in the distant background on the right. The image is one of a splendid series of images of the Forum attributed to the Italian photographer Domenico Anderson. A closely similar view by Anderson won the Silver Medal at the Chicago Convention in 1887.

Roma, Stabilimento Danesi [in copertina: «Danesi editore»], [1895?], Prima edizione illustrata. Ottimo esemplare (fisiologiche piccole sbucciature e segni del tempo alla marginali alla legatura; lievi e occasionali fioriture, per lo più impercettibili; legatura appena allentata tra la sesta e la settima tavola, ma molto solida nel complesso). Monumentale libro illustrato in formato album, splendidamente stampato da Danesi di Roma e particolarmente pregiato dalle 30 tavole fotolitografiche di Domenico Anderson. -- Uno dei primi testimoni della ricezione di Ruskin in Italia: traduzione della porzione relativa alla Cappella degli Schiavoni descritta nel primo supplemento ai 5 volumi di «St. Mark's rest» (monumentale opera sull arte veneziana), intitolato appunto «The Shrine of the Slaves» e incentrato sul lascito di Vittore Carpaccio a Venezia; la traduzione apparve per la prima volta ad Orpington nel 1885 e venne qui pubblicata per la prima volta in Italia con un titolo leggermente diverso da quello usato in precedenza. Quanto alla data di pubblicazione, il British museum (che possiede una copia del libro) registra sul proprio sito che il volume entrò in collezione nel 1896, fornendo quindi un terminus ante quem per la stampa. Di particolare interesse nell opera le fotografie di Domenico Anderson che riproducono in bianco e nero gli affreschi della cappella, soffermandosi sui particolari di ciascuno descritti da Ruskin. -- Rarissimo: presente in due sole biblioteche del catalogo SBN. in 8° oblungo, legatura editoriale di gran pregio in piena seta chiara stampata in oro in copertina e illustrata in seppia da un disegno della Scuola di san Giorgio degli Schiavoni a Venezia); leone di san Marco impresso in oro al piatto anteriore; cc. [1] 8; 30 tavole fotografiche riproducenti particolari degli affreschi di Carpaccio fuori testo; ricche sguardie in seta decorate in oro a motivi floreali. Prima edizione illustrata. Ottimo esemplare (fisiologiche piccole sbucciature e segni del tempo alla marginali alla legatura; lievi e occasionali fioriture, per lo più impercettibili; legatura appena allentata tra la sesta e la settima tavola, ma molto solida nel complesso). legatura editoriale di gran pregio in piena seta chiara stampata in oro in copertina e illustrata in seppia da un disegno della Scuola di san Giorgio degli Schiavoni a Venezia); leone di san Marco impresso in oro al piatto anteriore;

Framed. Condition: g to vg. Original photograph. A three-part panoramic albumen print of the ruins of the Temple of Saturn* (Roman Forum, Rome), mounted on board and framed in a contemporary oak frame. The splendid image was made in 1887, and is attributed to Italian photographer Domenico Anderson (1854-1938).** A similar won the Silver Medal at the Chicago Convention in the same year (1887). The three individual prints measure app. 20 1/2 x 29 1/2" (ca 52 x 74,5 cm) each, and the mount: 37 1/4 x 69 1/4" (94,5 x 175,5 cm). The entire tryptic measures 29 1/2 x 61 3/4" (ca 74,5 x 157 cm). The oak frame measures: 48 1/4 x 80" (122,5 x 203 cm). Light and sporadic rubbing along edges of oak frame. Some soiling to mount at verso. Age-toning and sporadic foxing to the first and third print. Frame in overall good+, albumen prints in good to very good condition. * The 4th century CE Temple of Saturn is situated in the north west corner of the Roman Forum of Rome and has eight majestic columns still standing. Built in honor of Saturn it was the focal point of an ancient cult and stood on the site of the original temple dedicated in c. 497 BCE by the dictator Titus Tatius, which itself had replaced the god's first shrine, the Ara Saturni. **Domenico Anderson (1854-1938) was an Italian photographer, the son of the photography pioneer James Anderson (1813-1877), from whom he inherited and continued the work in Rome. After his death, his archive was acquired by the Fratelli Alinari in Florence. Domenico Anderson is particularly known for his photographs of monumental architecture, Roman antiquities, church interiors, and religious art.