Published by Yale University Press, 2007
ISBN 10: 0300123434 ISBN 13: 9780300123432
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Tate Publishing, United Kingdom, London, 2012
ISBN 10: 1849760489 ISBN 13: 9781849760485
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. "Exploring Art and Visual Culture: A Reader" brings together essential primary texts by artists, critics and art historians ranging from the medieval period right through to our own times. There is no other reader available that covers such an extensive period. Selected by leading academics in their field, and published in conjunction with the Open University, the reader will be an essential sourcebook for every student of art history as well as all those seeking a greater understanding of art and of the cultural and historical context in which it is made. "The Reader" is organised in three parts. The first section, Medieval to Renaissance, 1000 - 1600, includes extracts from the writings of the Venerable Bede, Vasari, Bernard of Clairvaux, Aristotle, Erwin Panofsky, Nikolaus Pevsner, Erasmus and Walter Pater, among others, and sections on sacred art, Gothic architecture, the art of the crusades and the Renaissance. The second part Patronage to the Public Sphere, 1600 - 1850 includes texts by W.J.T. Mitchell, Sir Joshua Reynolds, Thomas Crowe, Richard Shiff and Caspar David Freidrich and examines the city and the country, the golden age of Dutch painting, London and Paris, landscape design, exploration, neoclassicism and the birth of Romanticism. The section on Exploring Art from Modernity to Globalisation, 1850 - 2010 includes writings by Marinetti, Gauguin, John Ruskin, William Morris, John Berger, Clement Greenberg, Lucy Lippard and Miwon Kwon examining modernism, the rise of abstraction, conceptual art and globalisation. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Tate Gallery, London, 2012
Seller: Parrott Books, Nr Faringdon, United Kingdom
Soft cover. Condition: Very Good Plus. First. 384pp.Well illus throughout. Interesting art culture reference interest. First ed. An excellent copy. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient service Size: 8vo - over 7¾" - 9¾" tall.
Published by Pindar Press, 2006
ISBN 10: 1904597521 ISBN 13: 9781904597520
Seller: ISD LLC, Bristol, CT, U.S.A.
paperback. Condition: New.
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Published by Yale University Press, 2007
ISBN 10: 0300123434 ISBN 13: 9780300123432
Seller: Invicta Books P.B.F.A., Builth Wells, POWYS, United Kingdom
First Edition
Soft cover. Condition: Near Fine. 1st Edition. illustrated, 333 pages.
Published by Routledge, 2020
ISBN 10: 036759191X ISBN 13: 9780367591915
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.15.
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Published by Yale U. P. London 2007, 2007
Seller: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
First Edition
1st edition softback with stiff wrappers As New large octavo 333pp., colour & b/w plates, notes, bibliog., index, Open University: Renaissance Art Reconsidered.
Published by Pindar Press, 2006
ISBN 10: 1904597319 ISBN 13: 9781904597315
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Still shrink wrapped. A heavy volume that may require additional postage for destinations outside of the USA,
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Published by Taylor & Francis, 2020
ISBN 10: 0367602423 ISBN 13: 9780367602420
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 246 pages. 9.00x6.00x0.50 inches. In Stock.
Published by Taylor & Francis Ltd, 2016
ISBN 10: 1138273872 ISBN 13: 9781138273870
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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Published by Taylor & Francis 2018-03-08, 2018
ISBN 10: 0815372671 ISBN 13: 9780815372677
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Published by Routledge 2011-02-18, 2011
ISBN 10: 1409407764 ISBN 13: 9781409407768
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
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Published by Routledge, 2013
ISBN 10: 1409420388 ISBN 13: 9781409420385
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
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Published by ASHGATE PUBLISHING GROUP, Farnham,Surrey, 2013
Seller: Luigi De Bei, PREGANZIOL, TV, Italy
First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Byzantine Art and Renaissance Europe (Hardback) Editore: Ashgate Publishing Group, United Kingdom (2013) ISBN 10: 1409420388 ISBN 13: 9781409420385 Nuovi Rilegato Quantità: 1 Prezzo: EUR 200,00.- Descrizione libro: Ashgate Publishing Group, United Kingdom, 2013. Hardback. Condizione libro: New. New edition. 236 x 162 mm. Language: English Brand New Book. Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context. Codice libro della libreria 008921 Size: 162 X 236 mm.
Published by Cambridge University Press, 2020
ISBN 10: 110869070X ISBN 13: 9781108690706
Seller: Asano Bookshop, Nagoya, AICHI, Japan
Condition: Brand New. The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world.
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