Published by The Catalog Comittee of Artists Meeting for Cultural Change, New York, 1977
Seller: Better Read Than Dead, Brooklyn, NY, U.S.A.
First Edition
Good, soiled wraps are edge worn, spine lightly twisted with a small tear to heel. Perfectbound quarto in printed card wrappers.
Published by Catalog Committee of Artists January 1977, 1977
Seller: Inquiring Minds, Saugerties, NY, U.S.A.
Trade Paperback. Condition: Used - Very Good.
Published by The Catalogue Committee of Artists Meeting for Cultural Change, NY, 1977
Seller: DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, U.S.A.
Condition: VG-. Very Good- in wrappers, 79 pages. Previous owner's discreet penned name to front endpaper; edges a tad soft & with partially erased ink to rear cover and splash/stain inside same so this copy is (slightly better than) a reference copy.
Published by The Catalogue Committee of Artists Meeting for Cultural Change, 1977
Seller: Griffin Books, Stamford, CT, U.S.A.
Paperback. Condition: Good. Tight and unmarked with worn covers and small blem to head to spine. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.
Published by The Catalog Committee of Artists Meeting for Cultural Change, New York, 1977
Seller: Sanctuary Books, A.B.A.A., New York, NY, U.S.A.
First Edition
Paperback. Condition: Very Good+. First Edition. Printed wraps; pp. 79, illustrated in b/w throughout. Covers faintly rubbed; small faint stain on front cover. Exhibition "catalog" for an important project and show.
Published by the Catalog Committee, 1977
Seller: Aeon Bookstore, New York, NY, U.S.A.
First Edition Signed
Soft cover. Condition: Very Good. 1st Edition. with signed letter from Joseph Kosuth to critic and curator John Perreault, writen on on Catalog Committee letterhead Foxing to covers, lightly bumped corner An Anti-Catalog was the work of the Catalog Committee of the group Artists Meeting for Cultural Change (AMCC). A landmark publication of the 1970s, its purpose was to protest the Whitney Museum of American Art s bicentennial exhibition, which was titled Three Centuries of American Art. The Whitney show featured John D. Rockefeller III s collection of mainly eighteenth and nineteenth-century American art a collection that featured only one African American and one woman artist. "The Catalog Committee, which consisted of fifteen artists and two art historians, spent almost a year producing an eighty-page book containing articles and documents. Originally conceived as a critique of art historian E.P. Richardson s catalog for the Whitney exhibition, the committee evolved ideas for pictorial essays that would encompass native American art, African-American art, art by women, critiques of pervasive class bias in the art world, and critical examinations of cultural institutions. As the committee wrote in its description of its project, we share the belief that culture should no longer exist merely as an extension of the economic interests or the personal tastes of the wealthy and powerful. Nor can we hope to transform culture outside of a struggle to transform the society from which it springs. Strong words that have lost little of their relevance for today s cultural scene.". Inscribed by Author(s).