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Published by Belknap Press (edition First Edition), 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: BooksRun, Philadelphia, PA, U.S.A.
Book First Edition
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Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: KuleliBooks, Phoenix, AZ, U.S.A.
Book
Condition: Good. The book may have minor cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, minor sunburn, minor water damage, minor bent). The book may have some highlights/notes/underlined pages - Accessories such as CD, codes, toys, may not be included - Safe and Secure Mailer - No Hassle Return.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.95.
Published by Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Published by Brand: Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: Ergodebooks, Houston, TX, U.S.A.
Book First Edition
Hardcover. Condition: Good. First Edition. Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the many facets of his thought. (The magnum opus of Benjamins Paris years, The Arcades Project, has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined to be considered as the principal critic of German literature. But the scene, as he found it, was dominated by talented fakes, so-to use his words-only a terrorist campaign would I suffice to effect radical change. This book offers the record of the first phase of that campaign, culminating with One Way Street, one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germanys most influential journals. The volume includes a number of his most important works, including Two Poems by Friedrich Hlderlin, Goethes Elective Affinities, The Concept of Criticism in German Romanticism, The Task of the Translator, and One Way Street. He is as compelling and insightful when musing on riddles or childrens books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics. Benjamins sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.
Published by Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: BookHolders, Towson, MD, U.S.A.
Book
Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Belknap Press: An Imprint of Harvard University Press Pub Date: 5/2/2016 Binding: Paperback Pages: 144 Reprint edition.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. No marks. Minimal shelfwear. Tight binding.
Published by Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Condition: New.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
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Published by Harvard University Press 2016-05-17, Cambridge, Massachusetts, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: Blackwell's, London, United Kingdom
Book
paperback. Condition: New. Language: ENG.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
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Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: GoldBooks, Denver, CO, U.S.A.
Book
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Published by Belknap Pr, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 105 pages. 7.50x5.00x0.50 inches. In Stock.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: Easton's Books, Inc., Mount Vernon, WA, U.S.A.
Book
Hardcover. Condition: F. Hardback in Fine condition with Fine dust jacket. 7 X 1.5 X 9.75 inches. 528 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.
Published by Belknap Press: An Imprint of Harvard University Press, 2004
ISBN 10: 0674013557ISBN 13: 9780674013551
Seller: Montreal Books, Westmount, QC, Canada
Book
Soft cover. Condition: Fine. Book in fine condition. Book.
Published by The Belknap Press of Harvard University Press, 1997
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: Old Editions Book Shop, ABAA, ILAB, North Tonawanda, NY, U.S.A.
Book
Hardcover. Condition: Very Good-. Dust Jacket Condition: Very Good-. Second Printing. Slight bumping to boards. Unclipped DJ protected in mylar has mild edgewear and rubbing. Solid binding and clean text. Light foxing on page edges. No ownership marks, ex-lib marks, stamps or stickers. ; 8vo 8" - 9" tall; 520 pages.
Published by Belknap Press, Harvard University Press, Cambridge (MA) and London (UK), 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: Mnemosyne, New Haven, CT, U.S.A.
Book First Edition
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. NEW: First Edition (Orig. 1996) First Printing: NEW mylar-protected jacket w/ sharp NEW edges & corners, NEW jet-black library-durable coated linen-over-boards cover w/ sharp NEW edges & corners, NEW blued-gray end-papers on light card-stock, NEW perfect binding w/ tight signatures & uncreased spine, PRISTINE interior handsomely printed on EXCELLENT unblemished archival paper * 6.50" x 9.50" x 1.36", 0.88 kg, viii+520 pp * ABOUT THE BOOK: Walter Benjamin was one of the most original & important critical voices of the 20th century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man & the many facets of his thought. (The magnum opus of Benjamin's Paris years, "The Arcades Project", has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement & the First World War, which Benjamin & his close friends thought immoral. He walked away from the wreck, scarred yet determined "to be considered as the principal critic of German literature." But the scene, as he found it, was dominated by "talented fakes," so?to use his words?"only a terrorist campaign would I suffice" to effect radical change. This book offers the record of the first phase of that campaign, culminating w/ "One Way Street," one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, & gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the "Selected Writings" brings together essays long & short, academic treatises, reviews, fragments, & privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, & take us through 1926, when he had already begun, w/ his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany's most influential journals. The volume includes a number of his most important works, including "Two Poems by Friedrich Hölderlin," "Goethe's Elective Affinities," "The Concept of Criticism in German Romanticism," "The Task of the Translator," and "One Way Street." He is as compelling & insightful when musing on riddles or children's books as he is when dealing w/ weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, &, above all, the virtual king of criticism, w/ his magisterial exposition of the basic problems of aesthetics. Benjamin's sentences provoke us to return to them again & again, luring us as though w/ the promise of some final revelation that is always being postponed. He is by turns fierce & tender, melancholy & ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche & the world of things, & strikingly progressive in his attitude toward society & what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted w/ a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising & challenging of critical writers. * SHIPPING: MNEMOSYNE wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL (or USPS PRIORITY MAIL for a below-cost additional fee) & via USPS FIRST CLASS INTERNATIONAL AIRMAIL.
Published by Belknap Press: An Imprint of Harvard University Press, 2004
ISBN 10: 0674013557ISBN 13: 9780674013551
Seller: RPBooks, Champlain, NY, U.S.A.
Book
Soft cover. Condition: Fine. Book in fine condition. Book.
Published by Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10: 0674052293ISBN 13: 9780674052291
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Published by Belknap Press: An Imprint of Harvard University Press, 2004
ISBN 10: 0674013557ISBN 13: 9780674013551
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 1.5.
Published by Belknap Press, 2004
ISBN 10: 0674013557ISBN 13: 9780674013551
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Softcover. Condition: Good. New Ed. Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the many facets of his thought. (The magnum opus of Benjamins Paris years, The Arcades Project, has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined to be considered as the principal critic of German literature. But the scene, as he found it, was dominated by talented fakes, so-to use his words-only a terrorist campaign would I suffice to effect radical change. This book offers the record of the first phase of that campaign, culminating with One Way Street, one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germanys most influential journals. The volume includes a number of his most important works, including Two Poems by Friedrich Hlderlin, Goethes Elective Affinities, The Concept of Criticism in German Romanticism, The Task of the Translator, and One Way Street. He is as compelling and insightful when musing on riddles or childrens books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics. Benjamins sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.
Published by Belknap Press: An Imprint of Harvard University Press, 2004
ISBN 10: 0674013557ISBN 13: 9780674013551
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.5.
Published by Belknap Press, 2004
ISBN 10: 0674013557ISBN 13: 9780674013551
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Softcover. Condition: New. New Ed. Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the many facets of his thought. (The magnum opus of Benjamins Paris years, The Arcades Project, has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined to be considered as the principal critic of German literature. But the scene, as he found it, was dominated by talented fakes, so-to use his words-only a terrorist campaign would I suffice to effect radical change. This book offers the record of the first phase of that campaign, culminating with One Way Street, one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germanys most influential journals. The volume includes a number of his most important works, including Two Poems by Friedrich Hlderlin, Goethes Elective Affinities, The Concept of Criticism in German Romanticism, The Task of the Translator, and One Way Street. He is as compelling and insightful when musing on riddles or childrens books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics. Benjamins sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.
Published by Belknap Press, Harvard University Press, Cambridge (MA) and London (UK), 1999
ISBN 10: 0674945867ISBN 13: 9780674945869
Seller: Mnemosyne, New Haven, CT, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: New. 1st Edition. NEW: First Edition (Orig. 1999) First Printing: NEW mylar-protected jacket w/ sharp NEW edges & corners, NEW jet-black library-durable coated linen-over-boards cover w/ sharp NEW edges & corners, NEW blued-gray end-papers on light card-stock (Marred only by a discrete name penned in the inside-front upper-right corner), IMMACULATE unmarked smooth-cut text-block exterior MARRED only by moderate incidence of slight rust-spotting, NEW perfect binding w/ tight signatures & uncreased spine, PRISTINE interior handsomely printed on EXCELLENT unblemished archival paper * 6.50" x 9.50" x 2.06", 1.36 kg, x+870 (880) pp * ABOUT THE BOOK: In the frenzied final years of the Weimar Republic, amid economic collapse & mourning political catastrophe, Walter Benjamin emerged as the most original practicing literary critic & public intellectual in the German-speaking world. Volume 2 of "Selected Writings", covering the years 1927 to 1934, displays the full spectrum of Benjamin's achievements at this pivotal stage in his career. Previously concerned chiefly w/ literary theory, Benjamin during these Years does pioneering work in new areas, from the study of popular Culture (a discipline he virtually created) to theories of the media & the visual arts. His writings on the theory of modernity--most of them new to readers of English--develop ideas as important to an understanding of the 20th century as an contained in his widely anthologized essay "The Work of Art in the Age of Technological Reproducibility.This volume brings together previously untranslated writings on major figures such as Brecht, Valéry & Gide, & on subjects ranging from film, radio, & the novel to memory, kitsch, & the theory of language. We find the manifoldly inquisitive Benjamin musing on the new modes of perception opened tip by techniques of photographic enlargement & cinematic montage, on the life & work of & Goethe at Weimar, on the fascination of old toys & the mysteries of food, & on the allegorical significance of Mickey Mouse. * SHIPPING: MNEMOSYNE carefully wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL (or USPS PRIORITY MAIL for a below-cost additional fee) & via USPS FIRST CLASS INTERNATIONAL AIRMAIL to all international destinations.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: Big Bill's Books, Wimberley, TX, U.S.A.
Book
Hardcover. Condition: new. Brand New Copy.
Published by Belknap Press, 1996
ISBN 10: 0674945859ISBN 13: 9780674945852
Seller: Wizard Books, Long Beach, CA, U.S.A.
Book
Hardcover. Condition: new. New.