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Published by The Renaissance Society at The U, 2012
Seller: Open Books, Chicago, IL, U.S.A.
Hardcover. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
Published by Renaissance Society, 2012
ISBN 10: 0941548597ISBN 13: 9780941548595
Seller: HPB-Diamond, Dallas, TX, U.S.A.
Book
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Chicago, IL: The Renaissance Society At The University Of Chicago, 2012, 2012
ISBN 10: 0941548597ISBN 13: 9780941548595
Seller: ModernRare, CHICAGO, IL, U.S.A.
Book First Edition Signed
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 1st Printing. Signed. 116 pages. Published in 2012. Retrospective Exhibition Monograph. One of the most beautiful books on the photographic art and achievement of Dawoud Bey. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Dawoud Bey: Regular-sized volume format. Gray hard boards with white titles on cover and spine, as issued. Photographs by Dawoud Bey. Essays by Arthur C. Danto, the great art critic and cultural philosopher, and other scholars. Printed on pristine-white, thick coated stock paper to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at the Renaissance Society of the University of Chicago in 2012. Presents Dawoud Bey's "Picturing People". Contemporary portraiture of the first rank. "Since 1975, Dawoud Bey has developed a body of work distinguished for its commitment to portraiture as a means of reflecting social circumstances. Ranging from street encounters to studio portraits, Bey has investigated numerous photographic methods to find increased engagement with his subjects. Includes selections from Bey's work spanning the thirty years from 1982 to the present. Offers a comprehensive look at Bey's oeuvre. Provides an opportunity to explore related subjects in art history and social discourse: The presentation of self, race, site, and the relationship between artist and subject. Essays by Arthur Danto and Julie Bernson as well as an Interview between Bey and the Renaissance Society Associate Curator/Director of Education, Hamza Walker" (Publisher's blurb). An absolute "must-have" title for Dawoud Bey collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Dawoud Bey. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant American photographers of our time. A fine collectible copy. (SEE ALSO OTHER DAWOUD BEY TITLES IN OUR CATALOG) ISBN 0941548597. Signed by Author.
Published by The Renaissance Society at the University of Chicago, The Renaissance Society at the University of Chicago, 2012
ISBN 10: 0941548597ISBN 13: 9780941548595
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition Signed
First edition and first printing. Hardcover. 115 pages. Published in conjunction with an exhibition that ran May 13 through June 24, 2012. Features essays by Arthur Coleman Danto, Julie Bernson and with an interview of Bey by Hamza Walker. Includes 40 color and 25 black and white images, checklist, and biographies. A very fine copy in a very fine dust jacket. Signed by Bey on the half title page. Bey was the subject of a major recent show at Whitney Museum of American Art.