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Publication Date: 1985
Seller: PhP Autographs, Hastière, Belgium
Manuscript / Paper Collectible Signed
Pas de couverture. Condition: Bon. Authentic card signed in 1985. + Photo 23x15 cm (recent print) Size : 7.5x12.5 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.
Publication Date: 1980
Seller: PhP Autographs, Hastière, Belgium
Manuscript / Paper Collectible Signed
Pas de couverture. Condition: Très bon. Nice authentic photo signed in person in Cannes in 1980. Size : 17.5x12.5 cm. Condition : please see scans. Provenance : Georges Flour (1945-2013) collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.
Published by Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1967
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph from the 1967 film, showing actor Lee Marvin in a crowd. Annotations in manuscript ink on the verso. Based on the 1963 novel "The Hunter" by Donald E. Westlake. An unapologetic, nihilistic work, one of the gems of early neo-noir and a foundational late 1960s crime film, setting the stage for the New Hollywood era. Viewers and critics have often questioned whether or not the film is really a dream that its protagonist has after he is shot in the very beginning. Director John Boorman claims to not have an opinion on the matter, and has said that the film is about the lead character's dehumanizing experiences during World War II. 10 x 8 inches. Faint wear to the finish on the left edge, else about Near Fine. National Film Registry. Grant US. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Silver and Ward Neo-Noir US. Spicer Neo-Noir US.
Published by John Boorman Productions, N.p., 1974
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless double weight photograph from the 1974 film. Rubber stamp crediting Michel Ciment on the verso. After the critical and commercial success of 1972's "Deliverance," director John Boorman was given almost total creative freedom for his next film. He responded by costuming Sean Connery (in only his second post-Bond film) in red briefs and suspenders, thigh-high boots, a handlebar mustache, and a long braid, and setting him loose in a utopian city of nearly catatonically bored immortals as a ruthless killer doing the violent bidding of a giant, floating, talking stone head. In his spare time, he mates and has a child with Charlotte Rampling. Somewhat obviously, the film has since become a cult classic. Shot on location in Ireland. 9.25 x 7 inches. Near Fine, some light edgewear. Arrow 1147.
Poster. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. One-Sheet Film POSTER. (30" X 40") Near fine on a single printed sheet. (Hint of soiling at bottom lefthand white margin. Not affecting image) Stunning full-color graphic design featuring actor Sean Connery in thigh-high black boots & red speedos & matching bandolero costume, standing beside the grimacing stone head of Zardoz, while being offered-up on a gigantic outstretched open hand. Directed by John Boorman.
Published by Warner Brothers, Burbank, CA, 1972
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Three striking vintage photographs from the 1972 film, picturing variously director John Boorman, cinematographer Vilmos Zsigmond, Jon Voight, and others working on location along the Cahulawassee River in Georgia, the setting for most of the film. A seminal entry in the early days of the New Hollywood cinema movement. As with "Point Blank" in 1967, British director John Boorman demonstrated a stunning instinct for American idioms and even American cultural undercurrents. And perhaps most importantly of all, he had the stuff required to order the book's author James Dickey off the set. The photograph with Zsigmond, Boorman, and Voight is in a custom museum-quality frame, archivally mounted, with UV glass. The other two photographs accompany the set, and are unframed. All 3 photographs 8 x 10 inches, one photograph with a snipe at the verso, the other two with brief text at the bottom margin.
Published by Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1966
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manuscript / Paper Collectible
Early Draft script for the 1967 film, seen here under the working title "Point Blank!" The lead character, named Parker here (as he was in the novel), was renamed Walker in the finished film (the role played by Lee Marvin). A foundational crime film of the late 1960s, setting the stage for the New Hollywood era. A blunt, unapologetic, nihilistic work, one of the gems of early neo-noir, with touches of French New Wave. Viewers and critics have often questioned whether or not the film is really a dream that its protagonist has after he is shot in the very beginning. Director John Boorman claims to not have an opinion on the matter, and has said that the film is about the lead character's brutalizing experiences in World War II that had dehumanized him and left him desperately searching for his humanity. The film's oblique final sequence, wherein Parker/Walker realizes he has been unknowingly eliminating the competition for a shadowy figure who now wishes to hire him, was not developed at this stage of the script's history. The ending instead adheres more closely to that of the novel. Goldenrod titled wrappers, rubber-stamped copy No. 6, dated December 5, 1966, with credits for screenwriters Rafe Newhouse and David Newhouse. Title page integral with front wrapper. 91 leaves, with last page of text numbered 91. Mimeograph duplication, rectos only, all leaves dated variously between 12/4/66 and 12/9/66. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Housed in a green cloth clamshell box. Grant US. Silver Classic Noir. Spicer US.