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Published by Penguin Young Readers Group, 2009
ISBN 10: 0448452561ISBN 13: 9780448452562
Seller: Better World Books: West, Reno, NV, U.S.A.
Book
Condition: Good. Call, Ken (illustrator). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Grosset & Dunlap, 2009
ISBN 10: 0448452340ISBN 13: 9780448452340
Seller: Gulf Coast Books, Memphis, TN, U.S.A.
Book
Paperback. Condition: Good. Call, Ken (illustrator).
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Published by Grosset & Dunlap, 2007
ISBN 10: 0448447991ISBN 13: 9780448447995
Seller: ZBK Books, Carlstadt, NJ, U.S.A.
Book
Condition: good. Call, Ken (illustrator). Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.
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Published by Grosset & Dunlap, 2000
ISBN 10: 0448421569ISBN 13: 9780448421568
Seller: Your Online Bookstore, Houston, TX, U.S.A.
Book
paperback. Condition: Good. Call, Ken (illustrator).
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Published by Grosset & Dunlap, 2000
ISBN 10: 0448421828ISBN 13: 9780448421827
Book
Condition: Good. Call, Ken (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Published by Loqueleo, 2010
ISBN 10: 1631139622ISBN 13: 9781631139628
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Call;Ken (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Altea, 2010
ISBN 10: 1603969462ISBN 13: 9781603969468
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Ken Call (illustrator). Used book that is in clean, average condition without any missing pages.
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Published by WarnerBrothers 2004-09-14 00:00:00, 2004
ISBN 10: 6304698747ISBN 13: 9786304698747
Seller: R Bookmark, Youngtown, AZ, U.S.A.
Book
DVD. Condition: Used - Good.
Published by Grosset & Dunlap, 2000
ISBN 10: 044842407XISBN 13: 9780448424071
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Call, Ken (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.25.
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Published by Penguin Publishing Group, 2000
ISBN 10: 0448424150ISBN 13: 9780448424156
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Call, Ken (illustrator). Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Penguin Publishing Group, 2000
ISBN 10: 0448422832ISBN 13: 9780448422831
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Call, Ken (illustrator). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Penguin Publishing Group, 1999
ISBN 10: 0448420848ISBN 13: 9780448420844
Seller: Better World Books: West, Reno, NV, U.S.A.
Book
Condition: Good. Ken Call (illustrator). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Armstrong, Kristin., Grosset & Dunlap, nd, c2000, 1st pb edition, illus. soft cover, remainder mark on bottom edge o/w fine, 48 pp, color photographic & other illus. by Ken Call, 8vo, "Level 3, Grades 2-3", "Lance won the Tour de France again. That makes it two in a row!".
Published by Ambit, 2005
Seller: Shore Books, London, United Kingdom
Magazine / Periodical
Soft cover. Condition: Very Good. 96 pages. 2 Eduardo Paolozzi Retrospective, Vale and Thanks 13 Fred Voss Poems Mark Foreman Picture 19 HP Tinker The Dead Palace Charles Shearer Picture 29 Ruth O'Callaghan Poems Astrid Chesney Picture 33 Alan Blackwood Three Short Pieces Orly Orbach Pictures 37 Robert Cole Poems 39 Dai Vaughan Two Short Pieces Charles Shearer Picture 43 Paul Groves Poems 46 Joan Michelson Christmas Day 50 Lance Lee Poems 53 Charles Shearer On the Road in Romania 58 Burns, Gahagan Reviews 63 Valerie Clarke Poems 66 Knute Skinner Poems 67 Toby Litt tourbusting5 Ken Cox Picture 72 John Gladwell Call it Trembling 73 Julie Whitby Poems 76 Sheila Smith Transfiguration. 77 Miriam Fried Penis Life 80 Owen Gallagher Poems 82 Lomas, Nelson, Bell Reviews 87 klipschutz Poems 89 Catherine Harvey Jefferson Stormy Weather Etchings 92 Nick Burbridge Poems 94 Philip Wilson Capuchins 96 Ron Sandford Portrait of Anthony Howell.
Published by National Geographic, Washington D.C., 2006
ISBN 10: 0792258657ISBN 13: 9780792258650
Seller: Paraphernalia Books 'N' Stuff, Belleville, ON, Canada
Book
Soft cover. Condition: Very Good. No Jacket. Ken Call (illustrator). Slim oversized paperback; No writing or other markings inside, tight copy no loose/torn pages just very small little creases on front cover and first couple of bottom pages with a barcode sticker on back cover;A title in the National Geographic Reading Expeditions; 68 pages with colour illustrations through the story and b/w photos on last couple of pages;
Published by Museum of Modern Art/ New York Graphic Society, 1980
ISBN 10: 0870702327ISBN 13: 9780870702327
Seller: Village Works, New York, NY, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Rosalind Solomon, Bruce Horowitz, Nicholas Nixon, Jerry Thompson, Mark Goodman, Diane Arbus, Chauncey Hare, Emmet Gowin, Yasuhiro Ishimoto, Son Wight, Larry Fink, Ken Heyman, George Krause, Ken Josephson, Dave Heath, Wynn Bullock, Roy DeCarava, Harry Call (illustrator). 1st Edition. Includes photography by Rosalind Solomon, Bruce Horowitz, Nicholas Nixon, Jerry Thompson, Mark Goodman, Diane Arbus, Chauncey Hare, Emmet Gowin, Yasuhiro Ishimoto, Son Wight, Larry Fink, Ken Heyman, George Krause, Ken Josephson, Dave Heath, Wynn Bullock, Roy DeCarava, Harry Callahan, Jerome Liebling, Esther Bubley, Robert Frank, William Klein, Louis Faurer, Helen Levitt, Dorothea Lange, Sid Grossman, Russell Lee, Ben Shahn, Walker Evans, John Gutman, Eugene Buechel, Edward Weston, Doris Ulmann, Clarence White, Gertrude Kasebier, Jacob Riis, Frances Benjamin Johnston, Arnold Genthe, Eva Watson-Schutze, and John Bullock. Due to the weight, and/or size, and/or rarity of this book, we will request an additional $5(domestic) to $24 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
First Edition Signed
Condition: As New. Limited edition print (16 x 12"). Signed and numbered (limited to 100 copies) by the artist, Trent Call. "May Swenson: Liberated Poet of Cache Valley," is part of the "Uconoclasts" series of portraits painted by Utah artist, Trent Call. This project was commisioned and distributed by Ken Sanders Rare Books. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah, includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography, its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors that transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Uconoclasts, Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
First Edition Signed
Limited edition print (16 x 12"). Signed and numbered (limited to 100 copies) by the artist. Fine condition with no flaws. "May Swenson: Liberated Poet of Cache Valley," is part of the "Uconoclasts" series of portraits painted by Utah artist, Trent Call. This project was commisioned, published, and distributed by Ken Sanders Rare Books in 2010. "Uconoclasts" showcases Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts, Suite I: Literary Utah, includes some of Utah's most famous and beloved and controversial literary figures. Ken Sanders writes: "With her keen powers of observation, her inquisitive nature and formidable intellect, May could construct meaningful poetry out of any raw material. Nature was one of her many muses. While Swenson published fity-nine poems in The New Yorker and became one of America's most widely anthologized poets, she never forgot her Utah roots. A 1966 homecoming may have been the only reading she ever gave where she was not terrified. She lies in the Logan Cemetery, beneath a granite bench with an epitaph from her poem, The Exchange, "I have spent my life having fun. To make poetry is pleasure.".
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Liteary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.
Published by Loqueleo, 2009
ISBN 10: 1631139568ISBN 13: 9781631139567
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 64 pages. Spanish language. 9.00x6.00x0.25 inches. In Stock.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
Print. This print (16" by 12") is signed by the artist. Utah's literary iconoclastic past as depicted by visual portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors than transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm. This print includes a brief profile of Thurman's life written and signed by Ken Sanders.
Published by Atheneum / A Jean Karl Book, New York, 1994
ISBN 10: 0689319037ISBN 13: 9780689319037
Seller: About Books, Henderson, NV, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine condition. Dust Jacket Condition: Near Fine dust jacket. Call, Ken (jacket art) (illustrator). First Printing of the First Edition. New York: Atheneum / A Jean Karl Book, 1994. Bright, clean, square, tight, unmarked copy. Sharp corners. Half-inch remainder mark on top edge. Not a book club edition. Not price clipped (14.95). No chips or tears. No owner's name or bookplate. Mystery for younger readers. By the author of The Magic Bus, a Library of Congress Children's Book of the Year. Summary: "After a bus journey in search of their father, thirteen-year-old Vickie and her younger sister discover that he is missing and may need their help." Original purple cloth spine, and tan paper-covered boards. First Printing of the First Edition. Hardcover. Near Fine condition/Near Fine dust jacket. Illus. by Call, Ken (jacket art). 8vo. 151pp.
Published by Uconoclasts Suite I: Literary Utah, [Salt Lake City, UT], 2010
Seller: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, U.S.A.
Signed
1/25. All twelve prints & broadsides. These prints (16" by 12") are signed by the artist. This edition is limited to twenty-five numbered copies. Utah's literary iconoclastic past as depicted by visual and word portraits of twelve Utah mavericks who all, in one way or another, have gone against the grain. Uconoclasts Suite I: Literary Utah includes some of Utah's most famous and beloved and controversial literary figures (Edward Abbey, Bernard Devoto, Wallace Stegner and Wallace Thurman, for example) and even includes the beat generation icon Neal Cassady (who was born in Utah). Whether native sons and daughters or not, all Uconoclasts also share some sort of Utah connection. If they weren't born in the state, like Cassady, then the state and its geography: its people and its places, had a profound effect on them, as in the case of Abbey and Stegner. All twelve of these initial Uconoclasts have all been chosen because of their creative genius and their dedication to their dreams and pursuits, sometimes against all odds and at great personal cost. These Uconoclasts have pursued their dreams and visions, sometimes down dark and uncomfortable corridors that transcend traditional boundaries. There was no box for them to think outside of. Mavericks in some manner or another.all. Being a Uconoclast isn't about fame per se so much as accomplishment in the face of all odds. The Utah connection is paramount, albeit in Neal Cassady's case tenuous. But he was born here. And in some important if not always apparent way, their accomplishments in their respective fields must include a maverick-ness of some kind, a going against the grain, an iconoclastic nature - uconoclasm.