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ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088906262 ISBN 13: 9789088906268
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Condition: Good. The book is a bit bent in shape going down the middle, affecting the cover and content. The content is clean, a decent copy to read and use still.
Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088906262 ISBN 13: 9789088906268
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Second Aeon Publications / Something Else Press, Cardiff, 1972
Seller: The Bookshop at Beech Cottage, Newbury, United Kingdom
First Edition
Soft cover. Condition: Near Fine. No Jacket. 1st Edition. 52pp. Collection of experimental visual/concrete poetry written by twenty-two different poets, including the editor Peter Finch. Detailed biographical notes given for each of the contributors. Together with a Preface note concerning this, the US edition. Black lettering on white card covers and spine. Tiny crease to top of spine. No other deficits. Appears unread.
Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Published by Sidestone Press Sep 2017, 2017
ISBN 10: 9088904464 ISBN 13: 9789088904462
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Anthropology's engagement with art has a complex and uneven history. While material culture, 'decorative arts', and art styles were of major significance for founding figures such as Alfred Haddon and Franz Boas, art became marginal as the discipline turned towards social analysis in the 1920s. This book addresses a major moment of renewal in the anthropology of art in the 1960s and 1970s. British anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge's arguments have renewed relevance: they help scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered.This volume brings together Forge's most important writings on the anthropology of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom. Anthony Forge was born in London in 1929. A student at Downing College, Cambridge, he studied anthropology with Edmund Leach, and went on to undertake research with Raymond Firth at the London School of Economics. Over 1958-63 he undertook several periods of fieldwork among the Abelam of the Sepik region of Papua New Guinea, made major collections for the Museum der Kulturen, Basel, and went on to write a series of essays which were enormously influential for the anthropology of art and for studies of Melanesia. He was appointed Foundation Professor of Anthropology at the Australian National University in 1974 and taught there until his death in 1991.ContentsList of imagesPrefaceGeneral IntroductionPart 1: Anthony Forge on art, 1960-19901. Introduction to Primitive Art and Society (1973a)2. Three Kamanggabi figures from the Arambak people of the Sepik district (1960a)3. Notes on Eastern Abelam designs painted on paper, New Guinea (1960b)4. Paint, a magical substance (1962)5. Art and environment in the Sepik (1965)6. The Abelam artist (1967)7. Style and meaning in Sepik Art (1973b)8. The problem of meaning in art. Exploring the visual art of Oceania (1979)9. Learning to see in New Guinea (1970)10. The power of culture and the culture of power (1990)11. Undated introduction to the proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain.Part 2: On Forge12. Anthony Forge and Alfred Bühler: From Field Collecting to FriendshipChristian Kaufmann13. Style and meaning: Abelam art through Yolngu eyesHoward Morphy14. Anthony Forge and Innovation: perspectives from Vanuatu Lissant Bolton15. The Problem of Agency in ArtLudovic Coupaye16. Looking back, Abelam art and some of Forge's theses from a 2015 perspectiveBrigitta Hauser-Schäublin17. Communicating with Anthony ForgeMichael O'HanlonAppendix: Forge's collectionsBibliographyAcknowledgements 304 pp. Englisch.
Published by Sidestone Press 2018-12-03, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: Chiron Media, Wallingford, United Kingdom
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2018. Paperback. . . . . .
Published by Sidestone Press, 2017
ISBN 10: 9088904464 ISBN 13: 9789088904462
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Anthropology's engagement with art has a complex and uneven history. While material culture, 'decorative arts', and art styles were of major significance for founding figures such as Alfred Haddon and Franz Boas, art became marginal as the discipline turned towards social analysis in the 1920s. This book addresses a major moment of renewal in the anthropology of art in the 1960s and 1970s. British anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge's arguments have renewed relevance: they help scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered.This volume brings together Forge's most important writings on the anthropology of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom. Anthony Forge was born in London in 1929. A student at Downing College, Cambridge, he studied anthropology with Edmund Leach, and went on to undertake research with Raymond Firth at the London School of Economics. Over 1958-63 he undertook several periods of fieldwork among the Abelam of the Sepik region of Papua New Guinea, made major collections for the Museum der Kulturen, Basel, and went on to write a series of essays which were enormously influential for the anthropology of art and for studies of Melanesia. He was appointed Foundation Professor of Anthropology at the Australian National University in 1974 and taught there until his death in 1991.ContentsList of imagesPrefaceGeneral IntroductionPart 1: Anthony Forge on art, 1960-19901. Introduction to Primitive Art and Society (1973a)2. Three Kamanggabi figures from the Arambak people of the Sepik district (1960a)3. Notes on Eastern Abelam designs painted on paper, New Guinea (1960b)4. Paint, a magical substance (1962)5. Art and environment in the Sepik (1965)6. The Abelam artist (1967)7. Style and meaning in Sepik Art (1973b)8. The problem of meaning in art. Exploring the visual art of Oceania (1979)9. Learning to see in New Guinea (1970)10. The power of culture and the culture of power (1990)11. Undated introduction to the proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain.Part 2: On Forge12. Anthony Forge and Alfred Bühler: From Field Collecting to FriendshipChristian Kaufmann13. Style and meaning: Abelam art through Yolngu eyesHoward Morphy14. Anthony Forge and Innovation: perspectives from Vanuatu Lissant Bolton15. The Problem of Agency in ArtLudovic Coupaye16. Looking back, Abelam art and some of Forge's theses from a 2015 perspectiveBrigitta Hauser-Schäublin17. Communicating with Anthony ForgeMichael O'HanlonAppendix: Forge's collectionsBibliographyAcknowledgements.
Published by Sidestone Pr, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 01 edition. 253 pages. 9.75x7.00x0.50 inches. In Stock.
Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
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Published by Sidestone Press, 2017
ISBN 10: 9088904464 ISBN 13: 9789088904462
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book brings together Anthony Forge s most important publications on the anthropology of art, together with various assessments of his legacy by a group of distinguished international anthropologists.Anthropology s engagement with art has a complex .
Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
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Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices. This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively. Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present. ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotes Acknowledgements.
Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: Speedyhen, London, United Kingdom
Condition: NEW.
Published by Sidestone Press, 2018
ISBN 10: 9088905894 ISBN 13: 9789088905896
Seller: moluna, Greven, Germany
Condition: New. This book (vol. 1 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.Hundreds of thousands of works of art.
Published by Sidestone Press, 2018
ISBN 10: 9088906262 ISBN 13: 9789088906268
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book (vol. 2 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.Hundreds of thousands of works of art.
Published by Sidestone Press Dez 2018, 2018
ISBN 10: 9088906262 ISBN 13: 9789088906268
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices. This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively. Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects. ContentsPreface IntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki ta'unga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean': Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. 'U'u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the 'Cold Odyssey' of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a 'Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay's Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of 'treasure' exchanges between Maori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. 'The woman who walks' Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921-1930, and BeyondNgahuia Te Awekotuku and Jeremy Coote 512 pp. Englisch.