Published by Los Angeles: The Museum of Contemporary Art and MIT Press, 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 184 pages; good condition, creases and scratched to dj; ex-gallery copy with sticker taped around bottom of spine; sticker on first page; no other internal marks. Foreign shipping may be extra.
Published by Museum of Contemporary Art; MIT Press, Los Angeles and Cambridge, MA, 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 183 pages, illustrations (some colour); 31 cm. Exhibition catalogue. Published to accompany an exhibition presented by the Museum of Contemporary Art, Los Angeles, Calif., September 16, 2001 to January 20, 2002. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/air, except by special arrangement. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darling's essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon's literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal life--for example, the ongoing List of Names lists all the people he has met in a given period of time--and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists. / Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum." - Publisher. CONTENTS: Trust Me, by Russell Ferguson; Love Triangulations, by Michael Darling; White Lies, by Francis McKee; a.k.a., by Nancy Spector; Interview with Douglas Gordon, by David Sylvester. Size: 4to. Collectible.
Published by MIT Press, Cambridge, Mass. [u.a.], 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, Germany
Hardcover. Condition: Gut. 30,5 x 23,5 cm 183 S. Hardcover. Sprache: Englisch, Zustand: Sehr Gut (Innen); Einband Außen hat keine Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.
Published by Los Angeles: The Museum of Contemporary Art and MIT Press, 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover exhibition catalog with dustjacket, 184 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.
Published by MIT Press (MA) September 2001, 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Like New. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time -- -and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Out of print. Creasing and/or tears on dust jacket.
Published by The Museum of Contemporary Art, Los Angeles (MOCA), and The MIT Press, Los Angeles and Cambridge, Massachusetts, 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Textured black paper-covered boards, with photographically illustrated dust jacket. Photographs and video by Douglas Gordon. Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector. Interview with the artist by David Sylvester. Includes a selected bibliography and a list of works. 184 pp., with four-color plates throughout. 12 x 9-1/4 inches. Published on the occasion of an exhibition organized by Russell Ferguson at the Museum of Contemporary Art, Los Angeles, which traveled to other venues. Fine in Fine dust jacket.
Published by MIT Press (MA) September 2001, 2001
ISBN 10: 0262062224 ISBN 13: 9780262062220
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Very Good. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time -- -and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Very nice clean, tight copy free of any marks.