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Published by Phébus, 2003
ISBN 10: 2859408878ISBN 13: 9782859408879
Seller: Ammareal, Morangis, France
Book
Hardcover. Condition: Très bon. Légères traces d'usure sur la couverture. Edition 2003. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Published by Phébus, 2001
ISBN 10: 2859406956ISBN 13: 9782859406950
Seller: Ammareal, Morangis, France
Book
Softcover. Condition: Bon. Ancien livre de bibliothèque. Petite(s) trace(s) de pliure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slightly creased cover. Ammareal gives back up to 15% of this book's net price to charity organizations.
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Published by Gallery Books, 2014
ISBN 10: 1476798532ISBN 13: 9781476798530
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by Le Grand livre du mois, 2000
ISBN 10: 2702844197ISBN 13: 9782702844199
Seller: Ammareal, Morangis, France
Book
Hardcover. Condition: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Ammareal gives back up to 15% of this book's net price to charity organizations.
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Published by Cahiers du cinéma, 1991
Seller: PRISCA, Paris, France
First Edition
Couverture souple. Condition: Très bon. Edition originale. In-8 broché. La plus prestigieuse des revues critiques françaises, à l'origine, entre autres, de la définition de la " politique des auteurs ", dans les années cinquante. Vivier de nombreux critiques, cinéastes, théoriciens, parmi lesquels : André Bazin, Jacques Doniol-Valcroze, François Truffaut, Jean-Luc Godard, Eric Rohmer, Jacques Rivette, Claude Chabrol, Jean Narboni, Jacques Fieschi, Jean-Louis Comolli, Serge Daney. Sommaire : L' âge d'homme par Thierry Jousse --- L' appel à la fiction par Antoine de Baecque --- Benoît Régent par Amina Danton --- Cinéma de face par Laurence Giavarini --- The commitments par Vincent Ostria --- Dans la soirée par Amina Danton --- Le désert et les roses par Amina Danton --- Entretien avec Barbara Sukowa par Frédéric Strauss --- Entretien avec Emmanuelle Béart par Antoine de Baecque --- Entretien avec Françoise Bévérini par Frédéric Strauss --- L' envers du décor par Jean-François Pigoullié --- Et la vie, doc ? par François Niney --- Extrême limite par Nicolas Saada --- Fatal games par Vincent Ostria --- Fragments d'un journal par Philippe Garrel --- Les frères Krays par Nicolas Saada --- Les garçons du quartier par Vincent Ostria --- Hidden agenda par Laurence Giavarini --- Horreurs australes par Laurence Giavarini --- The Indian runner par Vincent Ostria --- Les japonais à Hollywood par Andréa R. Vaucher --- Liz à la trace par Laurence Giavarini --- Lust in the dust par Camille Taboulay --- La manière forte par Nicolas Saada --- Maria Koleva, 43 bld. St-Michel, Paris, 5e par Camille Taboulay --- Martha et moi par Amina Danton --- La montagne de Babel par Caroline Elias --- Nom de code 00-14 (avec François Truffaut) par Jean Gruault --- Paysage après la bataille par Frédéric Strauss --- Le peintre et son modèle par Marie-Anne Guérin --- Philippe Garrel par Thierry Jousse --- La province fait son cinéma par Frédéric Strauss --- Questions au peintre --- Rencontre avec Volker Schlöndorff par Frédéric Strauss --- Robin des bois, prince des voleurs par Nicolas Saada --- Le scandale et la pudeur par Amina Danton --- Simple mortel par Joël Magny --- Le sitcom idéal par Vincent Ostria --- Tout ou rien par Amina Danton --- Les trésors de Welles par Nicolas Saada --- Un type bien par Jean-François Pigoullié --- Une semaine de réflexion par Amina Danton --- La vallée des pigeons par Joël Magny --- Les vies de Loulou par Jean-François Pigoullié.
Published by London: Lorrimer Publishing, (1975). (1975)., 1975
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. London: Lorrimer Publishing, (1975). (1975). Very good. - Octavo, teal pictorial wrappers. The wraps are lightly bumped & rubbed. There is a stain to the rear wrap with a price-sticker on its bottom corner. 100 & [4] pages. Illustrated with black-and-white stills from the film. Very good. Third printing.
Published by Pocket Books, 1973
ISBN 10: 0671478931ISBN 13: 9780671478933
Seller: Samuel S Lin, Etobicoke, ON, Canada
Book First Edition
Soft cover. Condition: Fine. 1st Edition. 189 pages featuring over 80 photos from the film. Washington Square Press edition. Translated from the French by Linda Lewin and Christine Lemery. Square tight binding, uncreased, unmarked and clean.
Published by Cahiers du cinéma, 2003
Seller: PRISCA, Paris, France
First Edition
Couverture souple. Condition: Très bon. Edition originale. In-8 broché. La plus prestigieuse des revues critiques françaises, à l'origine, entre autres, de la définition de la " politique des auteurs ", dans les années cinquante. Vivier de nombreux critiques, cinéastes, théoriciens, parmi lesquels : André Bazin, Jacques Doniol-Valcroze, François Truffaut, Jean-Luc Godard, Eric Rohmer, Jacques Rivette, Claude Chabrol, Jean Narboni, Jacques Fieschi, Jean-Louis Comolli, Serge Daney. Sommaire : "Je suis nourri depuis toujours par des fantômes" par Hélène Frappat --- "Là est le travail" par Bertrand Bonello --- "Manoel domine tous les sens" par Olivier Joyard --- "Mes films ne sont pas des enquêtes policières" par Elisabeth Lequeret --- "Si ça fait partie de la vie, alors on peut tout montrer" par Olivier Joyard --- American splendor par Erwan Higuinen --- L' Amérique au risque du participe présent par Jean-Marc Lalanne ; Mia Hansen-Løve ; Patrice Blouin ; Jean-Sébastien Chauvin ; Jean-Michel Frodon --- Art, nazisme, amnésie par Bernard Eisenschitz --- Attention danger travail par Jean-Michel Frodon --- Le bel été américain du cinéma français --- Bergman et "la Renaissance du cinéma" par Jean-Luc Godard --- Bergman ou la lanterne magique des cinéastes par Jean-Michel Frodon ; Jean-Marc Lalanne --- Bien aux contraires par Sébastien Bénédict --- Camille, vingt-cinq ans après par Camille Virolleaud --- Cartographie d'Amos Gitai par lui-même par Amos Gitaï --- Cette femme-là par Mia Hansen-Love --- Les chants du pays de ma mère par Jean-Michel Frodon --- Confidence par Baptiste Piegay --- La corde par Stéphane Delorme --- Cowboy Bebop par Jean-Sébastien Chauvin --- De l'origine d'une espèce par Jean-Philippe Tessé --- Deauville : kids in America par Clélia Cohen --- Détour par Hélène Frappat --- Disparitions par Erwan Higuinen --- L' emploi du mi-temps par Jean-Sébastien Chauvin --- Errance par Stéphane Delorme --- L' escroc a bonne mine par Jean-Michel Frodon --- Evelyn par Erwan Higuinen --- France boutique par Sébastien Bénédict --- Le guerrier magnifique par Jean-Michel Frodon --- Histoire d'un secret par Elisabeth Lequeret --- Hollywood-Pentagone : liaison fatale par Jean-Michel Frodon --- Images enterrées vives par Elisabeth Lequeret --- Les indépendants dans le rouge par Charlotte Garson --- Lettre de Turquie par Nicolas Monceau --- La ligue des gentlemen extraordinaires par Jean-Michel Frodon --- Le lion a mangé Truffaut par Jean Gruault --- Mille mois par Vincent Malausa --- Les mots et les images par Jean-Michel Frodon --- La nouvelle architecture de l'image par Alain Renaud-Alain --- Les obligations des chaînes par Charlotte Garson --- On n'est pas des marques de vélo par Jean-Michel Frodon --- Ondes de choc d'un pari lointain par Alain Bergala --- Paix et amour à Venise par Patrice Blouin ; Jean-Marc Lalanne --- Persona et moi par Jacques Aumont --- Pierre Chevalier part en voyage par Jean-Michel Frodon --- Plume d'éléphant par Patrice Blouin --- Portraits crachés par Mia Hansen-Love --- Pour un cinéma pauvre par Jean-Louis Comolli --- La relève par Baptiste Piegay --- La tache aveugle de l'Amérique par Jean-Marc Lalanne --- Le temps du loup par Jean-Sébastien Chauvin --- Un évènement par Jean-Michel Frodon --- Un jour de plus par Vincent Malausa --- Un pavé dans la mare au diable par Jean-Michel Frodon --- Une souris verte par Sébastien Bénédict --- La vie mode d'emploi par Baptiste Piegay.
Published by Seuil/Avant-Scene, 1971
ISBN 10: 2020006448ISBN 13: 9782020006446
Seller: medimops, Berlin, Germany
Book
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Published by Le grand livre du mois - club, 2001
Seller: Librairie Lire et Chiner, Colmar, ALSAC, France
Condition: CN. Paris, broché, couverture illustr; in-8, 328 pp. Très bon état - roman.
Published by Gallimard, 1996
ISBN 10: 207074695XISBN 13: 9782070746958
Seller: RECYCLIVRE, Paris, France
Book
Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
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Published by 1980, 1980
Seller: Book Hémisphères, Kervignac, France
Condition: Used: Acceptable. Occasion - Etat Correct - Jauni - Mon oncle d'Am?rique (1980) - Grand Format.
Revue mensuelle de Cinéma, Les Editions de l'Etoile, numéro spécial en hommage à François Truffaut, supplément au numéro 366, 144 pages, bon état. Numéro spécial en Hommage à François Truffaut.
Published by Feltrinelli, Milano,, 1977
Seller: FIRENZELIBRI SRL, Reggello, FI, Italy
Condition: COME NUOVO. A cura di Piero Arlorio. cm.11x18, pp.197, Coll.Universale Economica Feltrinelli,952. Milano, Feltrinelli cm.11x18, pp.197, brossura copertina figurata a colori. Coll.Universale Economica Feltrinelli,952. brossura copertina figurata a colori.
Published by JULLIARD, 1992
ISBN 10: 2260007996ISBN 13: 9782260007999
Seller: medimops, Berlin, Germany
Book
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Published by CAPRICCI, 2011
ISBN 10: 2918040320ISBN 13: 9782918040323
Seller: Gallix, Gif sur Yvette, France
Book
Condition: Neuf.
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Published by Éd. Albatros (Paris), 1980
Seller: Librairie Douin, LA CELLE SAINT-CLOUD, France
Couverture rigide. Condition: Très bon. Collection : Collection Ça-cinéma 1 vol, 14x22cm, 147 p. Broché, couv. souple bon état, légèrement plissée sur le plat. Quelques accrocs sur le plat. Dos plissé. Tâches de rousseur sur toutes tranches. Intérieur jauni. 4C2 370g.
Published by Feltrinelli, 1981
Seller: LA LIBRERIA COSSAVELLA, Ivrea, TO, Italy
Brossura. Cm. 11x18, pp. 197. Legato in cartoncino editoriale morbido. Ottimo.
Published by Lerici Editori, Milano, 1962
Seller: BACCHETTA GIORGIO - ALFEA RARE BOOKS, Milano, Italy
First Edition
Volume: 1 20,5x13,5 cm., in brossura, protezione acetato, in copertina i due interpreti, pp. 174 (2), prima edizione italiana, buone condizioni Jules e Jim è uno di quei film destinati a diventare in breve tempo un punto fermo nella storia dell'arte cinematografica. .E' sembrato importante pubblicare la sceneggiatura integrale.oltre a costituire un notevole fatto culturale. .un prezioso strumento per lo studio delle soluzioni tecniche di cui si è servito Truffaut per la realizzazione del film.
Published by Paris Editions Albatros, coll. "ça,/cinema" 1980, 1980
First Edition
Condition: 6. in-8, broché, couverture illustrée, 147 pp., 8 planches hors-texte. Édition originale du scénario de Jean Gruault (inspiré des travaux d'Henri Laborit) pour le film d'Alain Resnais. Précédé d'entretiens de Madeleine Chapsal avec Alain Resnais et Henri Laborit. En bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Published by Les Films du Carrosse, Paris, 1962
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless photograph from the 1962 film, showing the film's principal characters Catherine, Jim, and Jules playing dominoes around a table, as seen through the window of their cottage. Based on Henri-Pierre Roche's 1953 novel of the same name, a story of a love triangle set in France throughout the First World War. Shot on location in France. 7 x 5 inches. Near Fine. Criterion Collection 281. Ebert II.
Published by Les Films du Carrosse, Paris, 1971
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless photograph of director François Truffaut and actors Jean-Pierre Léaud and Stacey Tendeter on the set of the 1971 film. Agency rubber stamps and manuscript annotations on the verso. Based on the 1956 novel of the same name by Henri-Pierre Roche. 7 x 5 inches. Near Fine.
Published by N.p., N.p., 1975
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph of François Truffaut and Isabelle Adjani on the set of the 1975 film. Based on the diaries of Adele Hugo, youngest daughter of French writer Victor Hugo. Adele Hugo's (Isababelle Adjani) romantic obsession with the indifferent British officer, Lieutenant Pinson (Bruce Robinson), leads her to follow him to Halifax, and eventually succumb to madness and despair. Nominated for an Academy Award for Best Actress for Adjani, at age 20, making her the youngest nominee for the award, at the time. Set in Halifax, Nova Scotia, shot on location in Senegal and Channel Islands. 12 x 9.5 inches. Light soiling in margin, else Near Fine.
Published by Les Films du Carrosse / Les Productions Artistes Associes, Paris, 1970
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of twelve vintage reference photographs from the 1970 French film. Based on the true story of "feral child" Victor of Aveyron, found living alone in the woods of France in 1800, and a doctor's attempts to educate him and introduce him to civilized society. Shot on location in Aubiat, Auvergne, and Paris. 8 x 10 inches. Fine.
Published by N.p., N.p., 1978
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless reference photograph of François Truffaut and Laurence Ragon from the 1978 film. Cropping annotations in manuscript ink, "La Chambre Verte" stamp, and "June 78" stamp, all on verso. Based on the 1895 short story "The Altar of the Dead" by Henry James, with elements of James' 1903 novella "The Beast in the Jungle," and his 1896 short story "The Way it Came." One of Truffaut's least successful films, but also one of his most personal and critically acclaimed, a meditation on death and on an individual's inability to live in the face of it. Truffaut stars as Julien Davenne, a journalist who writes obituaries in an unfashionable journal, obsesses about the loss of his wife Julie and those members of his WWI squad lost in the war, which lead him to build a shrine as a memorial so that they may never be forgotten. The third and final film which Truffaut would both direct and star. Shot on location in Calvados and Eure, France. 10 x 8 inches. Near Fine. Rosenbaum 1000.
Published by N.p., N.p., 1962
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of eight vintage borderless reference studio still photographs, five with bottom margins, from the 1962 film. One with cropping annotation in blue and red holigraph pencil and remainder of label, since removed, on verso. Based on the 1953 novel by Henri-Pierre Roche. One of the founding films of the French New Wave, examining a long relationship between two men and an impulsive young woman before, during, and after the First World War. Shot on location throughout France. One photograph 9.25 x 7 inches, the other seven photographs 7 x 5 inches. Near Fine. Criterion Collection 281. Ebert II. Schrader, Canon Fodder 27.
Published by les Films du Carrosse, Paris, 1962
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless reference photograph of Henri Serre painting a moustache on Jeanne Moreau from the 1962 film. Based on the 1953 novel by Henri-Pierre Roche. One of the founding films of the French New Wave, examining a long relationship between two men and an impulsive young woman before, during, and after the First World War. Shot on location throughout France. 7 x 9.25 inches. Small crease on far bottom left corner, else Near Fine. Criterion Collection 281. Ebert II. Schrader, Canon Fodder 27.
Published by Rome Paris Films, N.p., 1966
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Art / Print / Poster
Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its release. As a result, a massive campaign was launched in its defense, eventually leading to the ban being lifted. The story is based on Denis Diderot's eighteenth century novel of the same title. It was conceived as a practical joke, devised by Diderot, to persuade the Marquis de Croismare to return to Paris. He assumed the identity of a desperate young woman forced into a convent and wrote elaborate letters to the Marquis, beseeching him to help her. Eventually, Diderot compiled the letters and built on them to create his novel. Like the film, it too faced censorship, and was not officially published until after the writer's death. Shot on location in Villeneuve-les-Avignon, Gard, France. 23.5 x 31 inches, folded. Near Fine with two manuscript ink and graphite annotations to the verso and light edgewear. Vogel, Film as a Subversive Art.
Published by Les Films du Carrosse / Les Productions Artistes Associes, Paris, 1975
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of 4 vintage black-and-white press photographs from the set of the 1975 film. Three of the four photographs show Truffaut and his crew working on the set, both in front of the camera and behind it, and the fourth is a lovely shot of Truffaut in uniform next to Isabelle Adjani. Stamp of French press agency Les Artiests Associes on the verso of each print. Based on the diaries of the youngest daughter of author Victor Hugo, about a woman whose romantic obsession with an indifferent military captain eventually leads to her despair and madness. Isabelle Adjani was nominated for an Academy award, making her, at age 20, the youngest Best Actress nominee of all time in 1975. Story set in Halifax, Nova Scotia, shot on location in Barbados, Senegal, and the Channel Islands. 8 x 10 inches. Fine.
Published by Np
Seller: Walter Reuben, Inc., ABAA, ILAB, West Hollywood, CA, U.S.A.
Manuscript / Paper Collectible
Softcover/Paperback. Condition: Near Fine. [Paris, 1979]. Vintage original French screenplay, 11 x 8" (28 x 20 cm.), printed production company wrappers, 100+ pp. Wrappers lightly smudged. Many pages have actual 35 mm clips from the film on verso, illustrating the specific shots designated in the script (some of these have come loose). The script was presented to legendary French cinematographer Sacha Vierny by Arthur Cloquet, who was his assistant cameraman. Mon oncle d'Amà rique is a classic of French cinema -- and one of only a handful of foreign-language films to be Oscar-nominated as of 1980. Besides its nomination for Best Original Screenplay, it received many other plaudits, including the 1980 winner for Best Foreign Film from the New York Film Critics Circle and the Grand Jury Prize at Cannes. Alain Resnais (1922-2014), along with Jean-Luc Godard, was considered one of the most formally innovative filmmakers of the French New Wave. Resnais' first three features -- Hiroshima mon amour (1959), Last Year at Marienbad (1961) and Muriel (1963) -- employed the full vocabulary of cinema, particularly montage, to redefine the way movies treated the themes of time and memory and had a revolutionary effect on the way those themes were treated in movies generally thereafter. Mon oncle d'Amà rique is no less revolutionary, formally speaking. It's a film that blends essay and narrative, starting with the lectures of real-life theoretical psychologist and biologist Henri Laborit, and illustrating Laborit's behavioral theories with the interweaving fictional stories of three characters: Jean (Roger Pierre) a would-be politician, Janine (Nicole Garcia) a would-be actress, and Renà (Gà rard Depardieu) the son of a farmer who becomes an executive in a textile factory. The stories of the three leading characters are, in turn, intercut with film clips of three iconic French actors, Danielle Darrieux, Jean Marais and Jean Gabin, who helped to define the self-images of the three protagonists. To write the narrative portions of his film, Resnais turned to veteran French screenwriter, Jean Gruault, whose other distinguished credits include Paris Belongs to Us (Jacques Rivette, 1960), Vanina Vanini (Roberto Rossellini, 1961), Jules et Jim (François Truffaut, 1962), La Religieuse (Rivette, 1966), Two English Girls (Truffaut, 1971) and The Story of Adà le H. (Truffaut, 1975). To shoot the film, Resnais employed one of the world's greatest cinematographers, Sacha Vierny, a long-time collaborator who had shot most of Resnais' previous films including Hiroshima mon amour, Last Year at Marienbad and Muriel. This particular copy of the Mon oncle d'Amà rique screenplay was formerly the property of Vierny, and includes physical film clips taped onto the back of many pages of the script to serve as color and lighting references. Professor Laborit's theories focus on four main types of animal behavior -- consumption, escape, struggle, and inhibition -- and he is particularly concerned with how an organism, human or otherwise, responds to crisis. Resnais illustrates Laborit's theories not only with human behavior, but with clips of all kinds of animal life, ranging from sea anemones to crabs and tortoises. Sometimes Resnais' illustrations have a surreal quality, as for example when we see performers interacting while wearing the heads of white rats. Mon oncle d'Amà rique is a thoroughly accomplished and entertaining work, and it is utterly singular. There has never been anything quite like it.