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Published by Credito Valtellinese, Milano, 2016
Seller: Libreria Antiquaria Palatina, San Casciano V.P., FI, Italy
Condition: Come nuovo. In 8 oblungo, p. 159, illustrato, leg. edit. illustrata. Peso articolo: 2.
Published by Verona, Grafiche Aurora 2015., 2015
Seller: Libreria Gullą, Roma, ROMA, Italy
In-4° carrč pp. 214 con 142 ill. a col. a piena pag. Leg. edit. con sovrac. Come nuovo.
Published by Credito Valtellinese, 2016
ISBN 10: 8897748848ISBN 13: 9788897748847
Seller: Miliardi di Parole, Pietra Marazzi, AL, Italy
Book
Condition: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.
Published by Fondazione gruppo Credito Valtellinese, ITALIA, 2015
Seller: Biblioteca di Babele, Tarquinia, VT, Italy
Condition: BUONO USATO. ITALIANO Libro con numerose riproduzionidelle opere del Credito Valtellinese 1900 2015. . In buone condizioni.Sovraccoperta illustrata. In ottime condizioni Numero Pagine 213.
Published by Allemandi, 2014
ISBN 10: 8842222992ISBN 13: 9788842222996
Seller: Piazza del Libro, Trebaseleghe, PD, Italy
Book
Condition: Nuovo. Dettagli LibroSku: PZZLB10498ISBN: 9788842222996Titolo: Franco Grignani. Alterazioni Ottico Mentali 1929-1999Autore: M. Grignani, L. Guerra, A. Quadrio CurzioEditore: AllemandiAnno: 2014Pagine: 160Formato: Brossura.
Condition: Buono (Good). Copertina rigida originale in ottimo stato, con sovraccoperta lievemente segnata. Interno in ottimo stato. 213 Buono (Good) .
Published by Umberto Allemandi, 2014
ISBN 10: 8842222992ISBN 13: 9788842222996
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Book
Condition: NEW.
Published by Umberto Allemandi, 2014
ISBN 10: 8842222992ISBN 13: 9788842222996
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Book
Milano, Galleria Gruppo Credito Valtellinese, 23 gennaio - 15 marzo 2014. A cura di M. Grignani, Guerra L. e Quadrio Curzio A. Torino, 2014; cartonato, pp. 160, ill. b/n e col., cm 22x30. FG's path through ltalian visual culture in the twentieth century was like the passage of a meteor. He transformed this culture without being transformed in the process. H e began as a futurist an d end ed up "optical". Between these two extremes is the creation of one of the most famous of ali marks, worldwide - the Woolmark. The year was 1963. ltaly was experiencing a period of economie boom. Grignani's work as a graphic artist was centrai to the world, just as Milan was centrai to the system of production both in ltaly and Europe. Grignani's work as a painter was known about, but the art system failed to provide the recognition which he deserved. The community of graphic designers, however, praised him internationally. The struggle against the old bogus distinction between visual and applied arts would provide a stimulus for him in his research, which lasted until his death in Milan in 1999, when the great challenge of sociallyoriented design work also carne to an end. His work remains with us. lt represents the crystallised part of a greater project and an attempt to provide a demonstration of human perception and its alterations.